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                <text> [Photograph of Angelina and Felix Morales' wedding]</text>
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                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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                  <text>Fighting Fascist Spain: The Exhibits</text>
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                  <text>Antifascist Periodicals -- United States; Periódicos -- Estados Unidos</text>
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                  <text>&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=09q9B5oy870&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=7&amp;amp;t=45s"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                  <text>&lt;a href="https://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain -- The Exhibits&lt;/a&gt;</text>
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                  <text>Frente Popular (New York, 1936-1939); &#13;
España Libre (New York, 1939-1977);&#13;
Ibérica (New York, 1953-1974)</text>
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                  <text>United States, Spain</text>
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                  <text>Collection and Exhibits curated by &#13;
Montse Feu, professor,&#13;
World Languages and Cultures, Sam Houston State University.</text>
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                  <text>1936-1977</text>
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                  <text>Copyright &#13;
Arte Público Press as a post-custodial repository.&#13;
Montse Feu as curator of the collection and editor of exhibits.&#13;
Authors and Artists keep the copyright of their work.&#13;
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                <text> Las artes</text>
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                <text>United States -- Political Cartoons; United States -- Periodicals; Fascism -- Spain; Estados Unidos -- Caricatura política; Estados Unidos -- Periódicos; Fascismo -- España; Censorship --Spain; Censura -- España; Literature -- Span; Literatura -- España; </text>
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                <text>A tall woman in black holding scissors symbolizes the censorship in Spain, which is poised to eliminate the arts.&#13;
Una mujer alta vestida de negro, con unas tijeras en la mano, simboliza la censura en España que está a punto de recortar las artes.&#13;
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Ibérica. For a Free Spain (1953-1974) </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1958-03-15</text>
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            <description>A related resource</description>
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                <text>&lt;a href="http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain: The Exhibits&lt;/a&gt;</text>
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            <name>Format</name>
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            <elementTextContainer>
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                <text>Guiu410</text>
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                <text>Spain; España</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="71872">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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        <name>Anti-fascist Cultures -- United States</name>
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        <name>Culturas Antifascistas -- Estados Unidos</name>
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                  <text>Fighting Fascist Spain: The Exhibits</text>
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                  <text>Antifascist Periodicals -- United States; Periódicos -- Estados Unidos</text>
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                  <text>&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=09q9B5oy870&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=7&amp;amp;t=45s"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                <elementText elementTextId="27129">
                  <text>&lt;a href="https://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain -- The Exhibits&lt;/a&gt;</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="27130">
                  <text>Frente Popular (New York, 1936-1939); &#13;
España Libre (New York, 1939-1977);&#13;
Ibérica (New York, 1953-1974)</text>
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            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="27131">
                  <text>Fighting Fascist Spain (UI Press 2020) </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
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                  <text>JPEG, PNG</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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                  <text>Image, Text</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>United States, Spain</text>
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              <name>Creator</name>
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                  <text>Collection and Exhibits curated by &#13;
Montse Feu, professor,&#13;
World Languages and Cultures, Sam Houston State University.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1936-1977</text>
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              </elementTextContainer>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28715">
                  <text>Copyright &#13;
Arte Público Press as a post-custodial repository.&#13;
Montse Feu as curator of the collection and editor of exhibits.&#13;
Authors and Artists keep the copyright of their work.&#13;
</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>!Cría Cuervos!...</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="27244">
                <text>A short Franco kicks a tall Uncle Sam in the knee, which causes Uncle Sam cold sweats. The medals of honor from Franco’s army uniform fall to the floor with the force of the kick.  </text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="27245">
                <text>Aragonés Domenech, Sergio (1937-)</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="27246">
                <text>Fighting Fascist Spain: The Exhibit (https://montsefeu.wixsite.com/montsefeu/ffs-the-exhibit)</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="27247">
                <text>España Libre (New York, 1939-1977)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27248">
                <text>1964-03-06</text>
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            <name>Language</name>
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            <name>Identifier</name>
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                <text>AragonesCuervo6</text>
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            <name>Relation</name>
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              <elementText elementTextId="37959">
                <text>http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="71769">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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        <name>Scripto</name>
        <description/>
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            <name>Transcription</name>
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                <text>Un Franco bajito le da una patada al Tío Sam en la rodilla, lo que le causa sudores. Las medallas del uniforme de Franco caen al suelo con el gesto.</text>
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        <name>Antifascism -- United States</name>
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        <name>Editorial Cartoons -- United States -- 20th century</name>
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        <name>Francisco Franco Bahamonde</name>
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        <name>international relations</name>
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        <name>Periodicals -- United States</name>
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        <name>relaciones internacionales</name>
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        <name>Uncle Sam (Symbolic character)</name>
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  <item itemId="3831" public="1" featured="0">
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                  <text>Las “Estampas de Harlem” de José Valdés Cadilla en &lt;em&gt;La voz&lt;/em&gt; (1938)/ "Sketches of Harlem" by José Valdés Cadilla in &lt;em&gt;La voz&lt;/em&gt;.</text>
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              <name>Subject</name>
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                  <text>Prensa en español&#13;
</text>
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                  <text>Humor gráfico, sátira, etc.</text>
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                  <text>Colección de 18 viñetas del dibujante José Valdés Cadilla. Esta colección se publicó en el periódico &lt;em&gt;La voz&lt;/em&gt; de Nueva York entre marzo y julio de 1938. Casi todas las imágenes vienen acompañadas de un texto escrito que ayuda a explicar las sutilezas de la escena. Trece de estas imágenes forman parte una colección titulada “Estampas de Harlem” y son escenas costumbristas, irónicas, críticas y/o humorísticas que retratan a los vecinos del barrio. Estas viñetas documentan la vida cotidiana y también los retos y logros de esa vecindad mayoritariamente hispana y latina. Cuatro dibujos conmemoran fechas y eventos especiales: el séptimo aniversario de la República Española, el homenaje a las madres españolas, el segundo aniversario de la Guerra Civil o el primero de Mayo. El retrato de Fernando de los Ríos es una imagen inédita que pertenece a una colección particular. &lt;br /&gt;Los pocos datos que se conocen sobre José Valdés Cadilla provienen del censo de los Estados Unidos. Nació en San Juan (Puerto Rico) en 1908, su madre era puertorriqueña y su padre español. José y sus cuatro hermanxs se quedaron huérfanos muy pronto y se mudaron a vivir a Arecibo con unos tíos. En los años treinta Valdés Cadilla vivía en Nueva York y en 1953 seguía residiendo en la ciudad, pues fue el pintor encargado de dibujar un fresco alegórico para las honras fúnebres de Julia de Burgos. &lt;span&gt;El periódico &lt;em&gt;La voz&lt;/em&gt; lo describe como un "bohemio consuetudinario en perenne regeneración, Valdés Cadilla ha vivido de cerca la tragedia de muchos hispanos en esta Babel inmisericorde y sabe como pocos del duro aguijonazo del dolor neoyorquino.” (&lt;em&gt;La voz&lt;/em&gt; 1938-03-26, p. 12). &lt;/span&gt;Hasta el momento, ha sido imposible localizar ningún otro dato sobre este dibujante de gran talento, creador de esta magnífica breve colección de viñetas que ofrecen una singular panorámica costumbrista de Harlem en los años treinta.&lt;br /&gt;&lt;em&gt;La voz&lt;/em&gt; describe así esta colección de documentos: "Es esta una valiosa colección de "Cuadros costumbristas de Harlem", representativos de escenas, personajes y costumbres típicas del corazón hispano de Nueva York. En ellos se plantea, con sobriedad de rasgos y riqueza de expresión, muchos de los graves problemas que aquejan a la colectividad y cuya solución se hace cada día más imperiosa. También se exhiben, con el sano propósito de combatirlos, algunos de los vicios imperantes en determinados ambientes y que son comunes a todo conglomerado humano" (&lt;em&gt;La voz&lt;/em&gt;, 1938-3-26,p. 12)</text>
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                  <text>&lt;strong&gt;Cómo citar este proyecto: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Acceso [FECHA].&lt;/strong&gt;</text>
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                  <text>A collection of eighteen sketches by José Valdés Cadilla. This collection was published in the newspaper &lt;em&gt;La voz&lt;/em&gt; (New York) from April through July of 1938. Every image is accompanied by a written description that helps explain the nuances within the drawing. Thirteen of the images are part of a collection entitled “Estampas de Harlem” (“Scenes from Harlem”). These ironic, critical, and/or humoristic scenes capture the neighborhood residents and their local customs. These sketches illustrate everyday life, the customs and festivities, but also the difficulties, challenges, and achievements of the primarily Hispanic and Latino community. &lt;br /&gt;There are four drawings that commemorate special dates and events: the seventh anniversary of the Spanish Republic, a tribute to Spanish mothers, the second anniversary of the Civil War, and International Workers Day. The portrait of Fernando de los Ríos has never been published as it belongs to a private collection. &lt;br /&gt;There is little data about Puerto Rican artist José Valdés Cadilla. He was born in San Juan (Puerto Rico) in 1908. His mother was Puertorrican and his father was from Spain and worked at the tobacco factory. José and his four siblings were orphaned in childhood and moved to Arecibo to live with some relatives. In the 1930s Valdés Cadilla was living in New York. In 1953 he still lived in the city as he painted an allegorical fresco for Julia de Burgos´ funeral services. &lt;span&gt;The newspaper &lt;em&gt;La voz&lt;/em&gt; described him as a “bohemian in permanent regeneration, Valdés Cadilla has lived the tragedy of many Hispanics in this merciless Babel, and he knows about the cruel bite of New York´s pain” (La voz 1938-03-26, p. 12). &lt;/span&gt;Until now, it has been impossible to obtain any additional information about this talented artist and creator of this short-lived but brilliant collection of sketches that offers an exceptional panorama of everyday life in Harlem during the 1930s. (Translation by Michelle Tennyson, University of Connecticut)</text>
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                  <text>&lt;strong&gt;How to cite this project: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Accesed [DATE].&lt;/strong&gt;</text>
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                  <text>Editado y compilado por/Curated and compiled by&#13;
Prof. Ana María Díaz-Marcos, University of Connecticut.&#13;
Traducciones al inglés de Michelle Tennyson, University of Connecticut&#13;
</text>
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                <elementText elementTextId="40306">
                  <text>&lt;strong&gt;Agradecimientos/Acknowledgements&lt;/strong&gt;&amp;nbsp;a Gloria Barbazán y Raquel Starace (hija y nieta de Ceferino Barbazán, presidente de&lt;em&gt; La voz&lt;/em&gt;) y a Cristina Pérez Jiménez de Manhattan College que compartió conmigo la viñeta "La voz en el subway".</text>
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              <name>Creator</name>
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                  <text>Valdés Cadilla, Jesús&#13;
</text>
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                  <text>The Spanish Newspaper Corporation</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>New York Public Library, General Research Division</text>
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                  <text>Esta colección tiene fines educativos y de investigación. **USO JUSTO** permitido dentro del marco de fines como la crítica, el comentario, las noticias, la enseñanza, la educación y la investigación. Nota: Esta investigación concluye que La voz está en dominio público. El periódico se publicó con una nota de derechos entre 1937-1939 pero no está registrado en el Registro del Copyright en esos años. Tampoco se renovaron los derechos después de 28 años y el periódico no aparece en el catálogo de Derechos de Autor de 1965.</text>
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Note: La voz should be in public domain. The newspaper was published with a copyright note between 1937-1939 but there is no registration in the Catalogue of Copyright entries on those years. Copyright was not renewed after 28 years and it does not appear in the 1965 Catalogue of Copyright. </text>
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&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
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&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                  <text>Copyright &#13;
Arte Público Press as a post-custodial repository.&#13;
Montse Feu as curator of the collection and editor of exhibits.&#13;
Authors and Artists keep the copyright of their work.&#13;
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What’s in the books!</text>
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                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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Arte Público Press as a post-custodial repository.&#13;
Montse Feu as curator of the collection and editor of exhibits.&#13;
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                <text>¿A dónde nos llevas?</text>
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                <text>Franco is driving a carriage pulled by his supporters. It contains a big bag of dollars for fascist countries, the monarchy, the aristocracy, and the economic elite. It has the Spanish flag, and the Falangist motto "Arriba España," a Catholic cross, and a swastika. The legend says "To a Happy Spain."</text>
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        <name>Caricatura Editorial</name>
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        <name>Fascism --</name>
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        <name>Frente Popular (New York, 1936-1939)</name>
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        <name>Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States</name>
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                  <text>Fighting Fascist Spain: The Exhibits</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Antifascist Periodicals -- United States; Periódicos -- Estados Unidos</text>
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                  <text>Fascism -- Spain</text>
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                  <text>Antifascist movements – United States</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=09q9B5oy870&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=7&amp;amp;t=45s"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                  <text>&lt;a href="https://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain -- The Exhibits&lt;/a&gt;</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="27130">
                  <text>Frente Popular (New York, 1936-1939); &#13;
España Libre (New York, 1939-1977);&#13;
Ibérica (New York, 1953-1974)</text>
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              <name>Relation</name>
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                  <text>Fighting Fascist Spain (UI Press 2020) </text>
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              <name>Format</name>
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                  <text>JPEG, PNG</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Image, Text</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="27135">
                  <text>United States, Spain</text>
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            <element elementId="39">
              <name>Creator</name>
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                  <text>Collection and Exhibits curated by &#13;
Montse Feu, professor,&#13;
World Languages and Cultures, Sam Houston State University.</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="27175">
                  <text>1936-1977</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28715">
                  <text>Copyright &#13;
Arte Público Press as a post-custodial repository.&#13;
Montse Feu as curator of the collection and editor of exhibits.&#13;
Authors and Artists keep the copyright of their work.&#13;
</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>¿Y ésto por qué? Why?</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="28436">
                <text>Graphic art -- United States -- 20th century; Arte gráfico-- Estados Unidos -- siglo XX; Spanish Civil War (1936-1939); Guerra Civil española (1936-1939);</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A woman covers with a blanket killed children during the Spanish Civil War. The drawing caption says "Why?"</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="28438">
                <text>Francisco Huerta (fecha desconocida-1943) </text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="28439">
                <text>Frente Popular (New York, 1936-1939)</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1938-05-01</text>
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            <name>Relation</name>
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                <text>&lt;a href="http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain: The Exhibits&lt;/a&gt;</text>
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                <text>JPEG</text>
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            <name>Language</name>
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                <text>Still Image</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FF00095_0001</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>España; Spain</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="71855">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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            </elementTextContainer>
          </element>
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        <name>Scripto</name>
        <description/>
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            <name>Transcription</name>
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                <text>Una mujer cubre los cuerpos de niños muertos durante la guerra civil Española. El pie de foto dice "¿Y esto por qué?"</text>
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        <name>Anti-fascist Cultures -- United States</name>
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        <name>España Libre (New York, 1939-1977)</name>
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        <name>Fascism -- Spain -- 1939-1975</name>
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        <name>Fascismo -- España -- 1939-1975</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Las “Estampas de Harlem” de José Valdés Cadilla en &lt;em&gt;La voz&lt;/em&gt; (1938)/ "Sketches of Harlem" by José Valdés Cadilla in &lt;em&gt;La voz&lt;/em&gt;.</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Prensa en español&#13;
</text>
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                  <text>Spanish periodicals</text>
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                <elementText elementTextId="39041">
                  <text>Humor gráfico, sátira, etc.</text>
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                  <text>Cartoons, satire, etc.</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Colección de 18 viñetas del dibujante José Valdés Cadilla. Esta colección se publicó en el periódico &lt;em&gt;La voz&lt;/em&gt; de Nueva York entre marzo y julio de 1938. Casi todas las imágenes vienen acompañadas de un texto escrito que ayuda a explicar las sutilezas de la escena. Trece de estas imágenes forman parte una colección titulada “Estampas de Harlem” y son escenas costumbristas, irónicas, críticas y/o humorísticas que retratan a los vecinos del barrio. Estas viñetas documentan la vida cotidiana y también los retos y logros de esa vecindad mayoritariamente hispana y latina. Cuatro dibujos conmemoran fechas y eventos especiales: el séptimo aniversario de la República Española, el homenaje a las madres españolas, el segundo aniversario de la Guerra Civil o el primero de Mayo. El retrato de Fernando de los Ríos es una imagen inédita que pertenece a una colección particular. &lt;br /&gt;Los pocos datos que se conocen sobre José Valdés Cadilla provienen del censo de los Estados Unidos. Nació en San Juan (Puerto Rico) en 1908, su madre era puertorriqueña y su padre español. José y sus cuatro hermanxs se quedaron huérfanos muy pronto y se mudaron a vivir a Arecibo con unos tíos. En los años treinta Valdés Cadilla vivía en Nueva York y en 1953 seguía residiendo en la ciudad, pues fue el pintor encargado de dibujar un fresco alegórico para las honras fúnebres de Julia de Burgos. &lt;span&gt;El periódico &lt;em&gt;La voz&lt;/em&gt; lo describe como un "bohemio consuetudinario en perenne regeneración, Valdés Cadilla ha vivido de cerca la tragedia de muchos hispanos en esta Babel inmisericorde y sabe como pocos del duro aguijonazo del dolor neoyorquino.” (&lt;em&gt;La voz&lt;/em&gt; 1938-03-26, p. 12). &lt;/span&gt;Hasta el momento, ha sido imposible localizar ningún otro dato sobre este dibujante de gran talento, creador de esta magnífica breve colección de viñetas que ofrecen una singular panorámica costumbrista de Harlem en los años treinta.&lt;br /&gt;&lt;em&gt;La voz&lt;/em&gt; describe así esta colección de documentos: "Es esta una valiosa colección de "Cuadros costumbristas de Harlem", representativos de escenas, personajes y costumbres típicas del corazón hispano de Nueva York. En ellos se plantea, con sobriedad de rasgos y riqueza de expresión, muchos de los graves problemas que aquejan a la colectividad y cuya solución se hace cada día más imperiosa. También se exhiben, con el sano propósito de combatirlos, algunos de los vicios imperantes en determinados ambientes y que son comunes a todo conglomerado humano" (&lt;em&gt;La voz&lt;/em&gt;, 1938-3-26,p. 12)</text>
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                  <text>&lt;strong&gt;Cómo citar este proyecto: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Acceso [FECHA].&lt;/strong&gt;</text>
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                  <text>A collection of eighteen sketches by José Valdés Cadilla. This collection was published in the newspaper &lt;em&gt;La voz&lt;/em&gt; (New York) from April through July of 1938. Every image is accompanied by a written description that helps explain the nuances within the drawing. Thirteen of the images are part of a collection entitled “Estampas de Harlem” (“Scenes from Harlem”). These ironic, critical, and/or humoristic scenes capture the neighborhood residents and their local customs. These sketches illustrate everyday life, the customs and festivities, but also the difficulties, challenges, and achievements of the primarily Hispanic and Latino community. &lt;br /&gt;There are four drawings that commemorate special dates and events: the seventh anniversary of the Spanish Republic, a tribute to Spanish mothers, the second anniversary of the Civil War, and International Workers Day. The portrait of Fernando de los Ríos has never been published as it belongs to a private collection. &lt;br /&gt;There is little data about Puerto Rican artist José Valdés Cadilla. He was born in San Juan (Puerto Rico) in 1908. His mother was Puertorrican and his father was from Spain and worked at the tobacco factory. José and his four siblings were orphaned in childhood and moved to Arecibo to live with some relatives. In the 1930s Valdés Cadilla was living in New York. In 1953 he still lived in the city as he painted an allegorical fresco for Julia de Burgos´ funeral services. &lt;span&gt;The newspaper &lt;em&gt;La voz&lt;/em&gt; described him as a “bohemian in permanent regeneration, Valdés Cadilla has lived the tragedy of many Hispanics in this merciless Babel, and he knows about the cruel bite of New York´s pain” (La voz 1938-03-26, p. 12). &lt;/span&gt;Until now, it has been impossible to obtain any additional information about this talented artist and creator of this short-lived but brilliant collection of sketches that offers an exceptional panorama of everyday life in Harlem during the 1930s. (Translation by Michelle Tennyson, University of Connecticut)</text>
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                <elementText elementTextId="39059">
                  <text>&lt;strong&gt;How to cite this project: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Accesed [DATE].&lt;/strong&gt;</text>
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                  <text>Editado y compilado por/Curated and compiled by&#13;
Prof. Ana María Díaz-Marcos, University of Connecticut.&#13;
Traducciones al inglés de Michelle Tennyson, University of Connecticut&#13;
</text>
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                <elementText elementTextId="40306">
                  <text>&lt;strong&gt;Agradecimientos/Acknowledgements&lt;/strong&gt;&amp;nbsp;a Gloria Barbazán y Raquel Starace (hija y nieta de Ceferino Barbazán, presidente de&lt;em&gt; La voz&lt;/em&gt;) y a Cristina Pérez Jiménez de Manhattan College que compartió conmigo la viñeta "La voz en el subway".</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="39046">
                  <text>Valdés Cadilla, Jesús&#13;
</text>
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                  <text>The Spanish Newspaper Corporation</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="39048">
                  <text>New York Public Library, General Research Division</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="39049">
                  <text>La Voz: Diario Democrático Avanzado (Nueva York)</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1938-04-14</text>
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                <elementText elementTextId="39051">
                  <text>1938-07-19</text>
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              </elementTextContainer>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39052">
                  <text>Esta colección tiene fines educativos y de investigación. **USO JUSTO** permitido dentro del marco de fines como la crítica, el comentario, las noticias, la enseñanza, la educación y la investigación. Nota: Esta investigación concluye que La voz está en dominio público. El periódico se publicó con una nota de derechos entre 1937-1939 pero no está registrado en el Registro del Copyright en esos años. Tampoco se renovaron los derechos después de 28 años y el periódico no aparece en el catálogo de Derechos de Autor de 1965.</text>
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                <elementText elementTextId="39053">
                  <text>This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.&#13;
Note: La voz should be in public domain. The newspaper was published with a copyright note between 1937-1939 but there is no registration in the Catalogue of Copyright entries on those years. Copyright was not renewed after 28 years and it does not appear in the 1965 Catalogue of Copyright. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39055">
                  <text>Spanish</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39056">
                  <text>Still Image</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="39057">
                  <text>Valdes0000</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="39058">
                  <text>New York, N.Y., USA</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39061">
                  <text>Valdés Cadilla, José</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="38902">
                <text>Valdes0011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38903">
                <text>"Carelata" y "Mediapinta"/ "Tinface and Halfpint"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38904">
                <text>Valdés Cadilla, José</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38905">
                <text>Esta viñeta costumbrista representa a dos personajes: “Mediapinta” (apodo que alude al alcoholismo del personaje que siempre está “completando” una pinta de bebida) y el policía un tanto corrupto “Carelata” (el apelativo viene de su supuesta seriedad y frialdad “de lata”) que acepta regalos de los comerciantes y vecinos de la zona. En este caso Mediapinta -presumiblemente para ganarse las simpatías del policía- acaba de invitar a Carelata a compartir con él una bebida.</text>
              </elementText>
              <elementText elementTextId="41290">
                <text>This costumbrista sketch portrays two characters: “Halfpint” (a nickname which alludes to the character’s alcoholic tendencies, always “finishing off” a pint) and a somewhat corrupt police officer, “Tinface” (an epithet used to suggest the character’s cold and heartless qualities, like those often associated with “tin”). Tinface accepts bribes from local merchants and residents. In this case, presumably so as to win over the police’s sympathy, Halfpint has just invited Tinface to have a drink with him. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38906">
                <text>Prensa en español-- secciones y columnas, etc.</text>
              </elementText>
              <elementText elementTextId="38907">
                <text> Viñetas, sátira, etc.</text>
              </elementText>
              <elementText elementTextId="38908">
                <text> Corrupción policial</text>
              </elementText>
              <elementText elementTextId="38909">
                <text> Spanish newspapers--Sections, columns, etc.</text>
              </elementText>
              <elementText elementTextId="38910">
                <text> Cartoons, satire, etc.</text>
              </elementText>
              <elementText elementTextId="38911">
                <text> Police corruption</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38912">
                <text>1938-06-18</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38913">
                <text>Stillimage</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38914">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="38915">
                <text>New York Public Library</text>
              </elementText>
              <elementText elementTextId="38916">
                <text> La voz (New York), p.15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38917">
                <text>Spanish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="38918">
                <text>La voz: Diario Democrático Avanzado. Nueva York</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="38919">
                <text>New York, (N.Y.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="72360">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
