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                  <text>Las “Estampas de Harlem” de José Valdés Cadilla en &lt;em&gt;La voz&lt;/em&gt; (1938)/ "Sketches of Harlem" by José Valdés Cadilla in &lt;em&gt;La voz&lt;/em&gt;.</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Prensa en español&#13;
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                  <text>Spanish periodicals</text>
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                  <text>Humor gráfico, sátira, etc.</text>
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                  <text>Colección de 18 viñetas del dibujante José Valdés Cadilla. Esta colección se publicó en el periódico &lt;em&gt;La voz&lt;/em&gt; de Nueva York entre marzo y julio de 1938. Casi todas las imágenes vienen acompañadas de un texto escrito que ayuda a explicar las sutilezas de la escena. Trece de estas imágenes forman parte una colección titulada “Estampas de Harlem” y son escenas costumbristas, irónicas, críticas y/o humorísticas que retratan a los vecinos del barrio. Estas viñetas documentan la vida cotidiana y también los retos y logros de esa vecindad mayoritariamente hispana y latina. Cuatro dibujos conmemoran fechas y eventos especiales: el séptimo aniversario de la República Española, el homenaje a las madres españolas, el segundo aniversario de la Guerra Civil o el primero de Mayo. El retrato de Fernando de los Ríos es una imagen inédita que pertenece a una colección particular. &lt;br /&gt;Los pocos datos que se conocen sobre José Valdés Cadilla provienen del censo de los Estados Unidos. Nació en San Juan (Puerto Rico) en 1908, su madre era puertorriqueña y su padre español. José y sus cuatro hermanxs se quedaron huérfanos muy pronto y se mudaron a vivir a Arecibo con unos tíos. En los años treinta Valdés Cadilla vivía en Nueva York y en 1953 seguía residiendo en la ciudad, pues fue el pintor encargado de dibujar un fresco alegórico para las honras fúnebres de Julia de Burgos. &lt;span&gt;El periódico &lt;em&gt;La voz&lt;/em&gt; lo describe como un "bohemio consuetudinario en perenne regeneración, Valdés Cadilla ha vivido de cerca la tragedia de muchos hispanos en esta Babel inmisericorde y sabe como pocos del duro aguijonazo del dolor neoyorquino.” (&lt;em&gt;La voz&lt;/em&gt; 1938-03-26, p. 12). &lt;/span&gt;Hasta el momento, ha sido imposible localizar ningún otro dato sobre este dibujante de gran talento, creador de esta magnífica breve colección de viñetas que ofrecen una singular panorámica costumbrista de Harlem en los años treinta.&lt;br /&gt;&lt;em&gt;La voz&lt;/em&gt; describe así esta colección de documentos: "Es esta una valiosa colección de "Cuadros costumbristas de Harlem", representativos de escenas, personajes y costumbres típicas del corazón hispano de Nueva York. En ellos se plantea, con sobriedad de rasgos y riqueza de expresión, muchos de los graves problemas que aquejan a la colectividad y cuya solución se hace cada día más imperiosa. También se exhiben, con el sano propósito de combatirlos, algunos de los vicios imperantes en determinados ambientes y que son comunes a todo conglomerado humano" (&lt;em&gt;La voz&lt;/em&gt;, 1938-3-26,p. 12)</text>
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                  <text>&lt;strong&gt;Cómo citar este proyecto: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Acceso [FECHA].&lt;/strong&gt;</text>
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                  <text>A collection of eighteen sketches by José Valdés Cadilla. This collection was published in the newspaper &lt;em&gt;La voz&lt;/em&gt; (New York) from April through July of 1938. Every image is accompanied by a written description that helps explain the nuances within the drawing. Thirteen of the images are part of a collection entitled “Estampas de Harlem” (“Scenes from Harlem”). These ironic, critical, and/or humoristic scenes capture the neighborhood residents and their local customs. These sketches illustrate everyday life, the customs and festivities, but also the difficulties, challenges, and achievements of the primarily Hispanic and Latino community. &lt;br /&gt;There are four drawings that commemorate special dates and events: the seventh anniversary of the Spanish Republic, a tribute to Spanish mothers, the second anniversary of the Civil War, and International Workers Day. The portrait of Fernando de los Ríos has never been published as it belongs to a private collection. &lt;br /&gt;There is little data about Puerto Rican artist José Valdés Cadilla. He was born in San Juan (Puerto Rico) in 1908. His mother was Puertorrican and his father was from Spain and worked at the tobacco factory. José and his four siblings were orphaned in childhood and moved to Arecibo to live with some relatives. In the 1930s Valdés Cadilla was living in New York. In 1953 he still lived in the city as he painted an allegorical fresco for Julia de Burgos´ funeral services. &lt;span&gt;The newspaper &lt;em&gt;La voz&lt;/em&gt; described him as a “bohemian in permanent regeneration, Valdés Cadilla has lived the tragedy of many Hispanics in this merciless Babel, and he knows about the cruel bite of New York´s pain” (La voz 1938-03-26, p. 12). &lt;/span&gt;Until now, it has been impossible to obtain any additional information about this talented artist and creator of this short-lived but brilliant collection of sketches that offers an exceptional panorama of everyday life in Harlem during the 1930s. (Translation by Michelle Tennyson, University of Connecticut)</text>
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                  <text>&lt;strong&gt;How to cite this project: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Accesed [DATE].&lt;/strong&gt;</text>
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                  <text>Editado y compilado por/Curated and compiled by&#13;
Prof. Ana María Díaz-Marcos, University of Connecticut.&#13;
Traducciones al inglés de Michelle Tennyson, University of Connecticut&#13;
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                  <text>&lt;strong&gt;Agradecimientos/Acknowledgements&lt;/strong&gt;&amp;nbsp;a Gloria Barbazán y Raquel Starace (hija y nieta de Ceferino Barbazán, presidente de&lt;em&gt; La voz&lt;/em&gt;) y a Cristina Pérez Jiménez de Manhattan College que compartió conmigo la viñeta "La voz en el subway".</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Valdés Cadilla, Jesús&#13;
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                  <text>The Spanish Newspaper Corporation</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                <elementText elementTextId="39048">
                  <text>New York Public Library, General Research Division</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>La Voz: Diario Democrático Avanzado (Nueva York)</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1938-04-14</text>
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                  <text>1938-07-19</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Esta colección tiene fines educativos y de investigación. **USO JUSTO** permitido dentro del marco de fines como la crítica, el comentario, las noticias, la enseñanza, la educación y la investigación. Nota: Esta investigación concluye que La voz está en dominio público. El periódico se publicó con una nota de derechos entre 1937-1939 pero no está registrado en el Registro del Copyright en esos años. Tampoco se renovaron los derechos después de 28 años y el periódico no aparece en el catálogo de Derechos de Autor de 1965.</text>
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                  <text>This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.&#13;
Note: La voz should be in public domain. The newspaper was published with a copyright note between 1937-1939 but there is no registration in the Catalogue of Copyright entries on those years. Copyright was not renewed after 28 years and it does not appear in the 1965 Catalogue of Copyright. </text>
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              <name>Language</name>
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                  <text>Spanish</text>
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              <description>The nature or genre of the resource</description>
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                  <text>Valdes0000</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>New York, N.Y., USA</text>
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                  <text>Valdés Cadilla, José</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>El final de los caínes/Traitors' end</text>
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                <text>Valdés Cadilla, José</text>
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                <text>La viñeta retrata a Franco y Queipo de Llano entre los brazos de la muerte. En la parte superior aparecen varios militares golpistas (Cabanellas, Yagüe, Mola y Sanjurjo) y en la parte inferior se amontonan multitud de cuerpos de civiles muertos. El texto comenta que Franco está a punto de suicidarse tras ver el horror que ha sembrado a los dos años de “consumada la magna felonía que tiene sumida a toda España en el dolor y la tragedia.”</text>
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                <text>This sketch portrays Franco y Queipo de Llano in the arms of death. Several military coup perpetrators (Cabanellas, Yagüe, Mola y Sanjurjo) appear at the top of the print while numerous civilian cadavers are shown stacked at the bottom. The caption notes that Franco is about to commit suicide upon seeing the horror that has been sown two years after “the great felony committed against all of Spain, engulfed in grief and tragedy”.   </text>
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                <text>Prensa en español-- secciones y columnas, etc.</text>
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                <text> Guerra Civil Española</text>
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                <text> Viñetas, sátira, etc.</text>
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                <text> Spanish newspapers--Sections, columns, etc.</text>
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                <text> Cartoons, satire, etc.</text>
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                <text> Spain--History--Civil War, 1936-1939</text>
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                <text>1938-07-19</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>New York Public Library</text>
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                <text>La voz (New York), p.12</text>
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                <text>Spanish</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="39018">
                <text>La voz: Diario Democrático Avanzado. Nueva York</text>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="39019">
                <text>La República ante el fascismo</text>
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                <text>Spain</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="72365">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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        <name>Antifascismo</name>
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                  <text>Las “Estampas de Harlem” de José Valdés Cadilla en &lt;em&gt;La voz&lt;/em&gt; (1938)/ "Sketches of Harlem" by José Valdés Cadilla in &lt;em&gt;La voz&lt;/em&gt;.</text>
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                  <text>Prensa en español&#13;
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                  <text>Humor gráfico, sátira, etc.</text>
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                  <text>Colección de 18 viñetas del dibujante José Valdés Cadilla. Esta colección se publicó en el periódico &lt;em&gt;La voz&lt;/em&gt; de Nueva York entre marzo y julio de 1938. Casi todas las imágenes vienen acompañadas de un texto escrito que ayuda a explicar las sutilezas de la escena. Trece de estas imágenes forman parte una colección titulada “Estampas de Harlem” y son escenas costumbristas, irónicas, críticas y/o humorísticas que retratan a los vecinos del barrio. Estas viñetas documentan la vida cotidiana y también los retos y logros de esa vecindad mayoritariamente hispana y latina. Cuatro dibujos conmemoran fechas y eventos especiales: el séptimo aniversario de la República Española, el homenaje a las madres españolas, el segundo aniversario de la Guerra Civil o el primero de Mayo. El retrato de Fernando de los Ríos es una imagen inédita que pertenece a una colección particular. &lt;br /&gt;Los pocos datos que se conocen sobre José Valdés Cadilla provienen del censo de los Estados Unidos. Nació en San Juan (Puerto Rico) en 1908, su madre era puertorriqueña y su padre español. José y sus cuatro hermanxs se quedaron huérfanos muy pronto y se mudaron a vivir a Arecibo con unos tíos. En los años treinta Valdés Cadilla vivía en Nueva York y en 1953 seguía residiendo en la ciudad, pues fue el pintor encargado de dibujar un fresco alegórico para las honras fúnebres de Julia de Burgos. &lt;span&gt;El periódico &lt;em&gt;La voz&lt;/em&gt; lo describe como un "bohemio consuetudinario en perenne regeneración, Valdés Cadilla ha vivido de cerca la tragedia de muchos hispanos en esta Babel inmisericorde y sabe como pocos del duro aguijonazo del dolor neoyorquino.” (&lt;em&gt;La voz&lt;/em&gt; 1938-03-26, p. 12). &lt;/span&gt;Hasta el momento, ha sido imposible localizar ningún otro dato sobre este dibujante de gran talento, creador de esta magnífica breve colección de viñetas que ofrecen una singular panorámica costumbrista de Harlem en los años treinta.&lt;br /&gt;&lt;em&gt;La voz&lt;/em&gt; describe así esta colección de documentos: "Es esta una valiosa colección de "Cuadros costumbristas de Harlem", representativos de escenas, personajes y costumbres típicas del corazón hispano de Nueva York. En ellos se plantea, con sobriedad de rasgos y riqueza de expresión, muchos de los graves problemas que aquejan a la colectividad y cuya solución se hace cada día más imperiosa. También se exhiben, con el sano propósito de combatirlos, algunos de los vicios imperantes en determinados ambientes y que son comunes a todo conglomerado humano" (&lt;em&gt;La voz&lt;/em&gt;, 1938-3-26,p. 12)</text>
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                  <text>&lt;strong&gt;Cómo citar este proyecto: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Acceso [FECHA].&lt;/strong&gt;</text>
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                  <text>A collection of eighteen sketches by José Valdés Cadilla. This collection was published in the newspaper &lt;em&gt;La voz&lt;/em&gt; (New York) from April through July of 1938. Every image is accompanied by a written description that helps explain the nuances within the drawing. Thirteen of the images are part of a collection entitled “Estampas de Harlem” (“Scenes from Harlem”). These ironic, critical, and/or humoristic scenes capture the neighborhood residents and their local customs. These sketches illustrate everyday life, the customs and festivities, but also the difficulties, challenges, and achievements of the primarily Hispanic and Latino community. &lt;br /&gt;There are four drawings that commemorate special dates and events: the seventh anniversary of the Spanish Republic, a tribute to Spanish mothers, the second anniversary of the Civil War, and International Workers Day. The portrait of Fernando de los Ríos has never been published as it belongs to a private collection. &lt;br /&gt;There is little data about Puerto Rican artist José Valdés Cadilla. He was born in San Juan (Puerto Rico) in 1908. His mother was Puertorrican and his father was from Spain and worked at the tobacco factory. José and his four siblings were orphaned in childhood and moved to Arecibo to live with some relatives. In the 1930s Valdés Cadilla was living in New York. In 1953 he still lived in the city as he painted an allegorical fresco for Julia de Burgos´ funeral services. &lt;span&gt;The newspaper &lt;em&gt;La voz&lt;/em&gt; described him as a “bohemian in permanent regeneration, Valdés Cadilla has lived the tragedy of many Hispanics in this merciless Babel, and he knows about the cruel bite of New York´s pain” (La voz 1938-03-26, p. 12). &lt;/span&gt;Until now, it has been impossible to obtain any additional information about this talented artist and creator of this short-lived but brilliant collection of sketches that offers an exceptional panorama of everyday life in Harlem during the 1930s. (Translation by Michelle Tennyson, University of Connecticut)</text>
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                  <text>&lt;strong&gt;How to cite this project: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Accesed [DATE].&lt;/strong&gt;</text>
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                <elementText elementTextId="39060">
                  <text>Editado y compilado por/Curated and compiled by&#13;
Prof. Ana María Díaz-Marcos, University of Connecticut.&#13;
Traducciones al inglés de Michelle Tennyson, University of Connecticut&#13;
</text>
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                <elementText elementTextId="40306">
                  <text>&lt;strong&gt;Agradecimientos/Acknowledgements&lt;/strong&gt;&amp;nbsp;a Gloria Barbazán y Raquel Starace (hija y nieta de Ceferino Barbazán, presidente de&lt;em&gt; La voz&lt;/em&gt;) y a Cristina Pérez Jiménez de Manhattan College que compartió conmigo la viñeta "La voz en el subway".</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                <elementText elementTextId="39046">
                  <text>Valdés Cadilla, Jesús&#13;
</text>
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                <elementText elementTextId="39047">
                  <text>The Spanish Newspaper Corporation</text>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="39048">
                  <text>New York Public Library, General Research Division</text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="39049">
                  <text>La Voz: Diario Democrático Avanzado (Nueva York)</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39050">
                  <text>1938-04-14</text>
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                <elementText elementTextId="39051">
                  <text>1938-07-19</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39052">
                  <text>Esta colección tiene fines educativos y de investigación. **USO JUSTO** permitido dentro del marco de fines como la crítica, el comentario, las noticias, la enseñanza, la educación y la investigación. Nota: Esta investigación concluye que La voz está en dominio público. El periódico se publicó con una nota de derechos entre 1937-1939 pero no está registrado en el Registro del Copyright en esos años. Tampoco se renovaron los derechos después de 28 años y el periódico no aparece en el catálogo de Derechos de Autor de 1965.</text>
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                <elementText elementTextId="39053">
                  <text>This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.&#13;
Note: La voz should be in public domain. The newspaper was published with a copyright note between 1937-1939 but there is no registration in the Catalogue of Copyright entries on those years. Copyright was not renewed after 28 years and it does not appear in the 1965 Catalogue of Copyright. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                <elementText elementTextId="39054">
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              <name>Language</name>
              <description>A language of the resource</description>
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                <elementText elementTextId="39055">
                  <text>Spanish</text>
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              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                <elementText elementTextId="39056">
                  <text>Still Image</text>
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              <name>Identifier</name>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>New York, N.Y., USA</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="39061">
                  <text>Valdés Cadilla, José</text>
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      <elementSet elementSetId="1">
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Valdes0017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Retrato de Fernando de los Ríos/Portrait of Fernando de los Ríos</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Valdés Cadilla, José</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="39025">
                <text>Retrato de Fernando de los Ríos, embajador de España, realizado probablemente tras su discurso en el Windsor Hall el 14 de abril de 1938 en Nueva York. Contiene una dedicatoria al periódico. Este dibujo no se llegó a publicar en &lt;em&gt;La voz&lt;/em&gt; y pertenece al archivo de la familia Barbazán Starace.</text>
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              <elementText elementTextId="41296">
                <text>Portrait of Fernando de los Ríos, ambassador of Spain. It was probably painted after his speech at Windsor Hall on April 14, 1938, in New York and includes a dedication to the newspaper. This drawing was never published in the newspaper &lt;em&gt;La voz&lt;/em&gt; and pertains to the Barbazán Starace family archive.</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39026">
                <text>Prensa en español-- secciones y columnas, etc.</text>
              </elementText>
              <elementText elementTextId="39027">
                <text> Viñetas, sátira, etc.</text>
              </elementText>
              <elementText elementTextId="39028">
                <text> Spanish newspapers--Sections, columns, etc.</text>
              </elementText>
              <elementText elementTextId="39029">
                <text> Cartoons, satire, etc</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1938-04-14</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39031">
                <text>Stillimage</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39032">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="39033">
                <text>New York</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="39034">
                <text>Spanish</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="39035">
                <text>Archivo de la familia Barbazán Starace</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="39036">
                <text>Spain</text>
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              <elementText elementTextId="39037">
                <text> New York, (N.Y.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="72366">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="492">
        <name>Antifascismo</name>
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    </tagContainer>
  </item>
  <item itemId="3890" public="1" featured="0">
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      <file fileId="2841">
        <src>http://usldhrecovery.uh.edu/files/original/30/3890/a_DSC_0758_street_dancing_2mg.jpg</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="39668">
                  <text>Festival de Mujeres 1979 Collection</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="40273">
                  <text>See individual items for rights, permissions and citations.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="40274">
                  <text>English</text>
                </elementText>
                <elementText elementTextId="40275">
                  <text>Spanish</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="40276">
                  <text>Seif, Hinda&#13;
Solís, Diana</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="40277">
                  <text>Pilsen, Chicago, IL</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FEST0003</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39697">
                <text>Evening street dancing with Disco Music Van, Festival de Mujeres 1979</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39698">
                <text>Boyer, Wayne</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39699">
                <text>Mostly Latinos of different generations, children with balloons, people watching on stoops, first aid station in foreground, empty food booths with tie-dyed fabric (r.), lights strung from lampposts.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39700">
                <text>Chicago (Ill.)</text>
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              <elementText elementTextId="39701">
                <text>Mexican American families</text>
              </elementText>
              <elementText elementTextId="39702">
                <text>Mexican American neighborhoods</text>
              </elementText>
              <elementText elementTextId="39703">
                <text>Ethnic Festivals</text>
              </elementText>
              <elementText elementTextId="39704">
                <text>Disco dancing</text>
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              <elementText elementTextId="39705">
                <text>Photographs</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39706">
                <text>1979-06-30</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Still image</text>
              </elementText>
            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39708">
                <text>JPEG</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="39709">
                <text>Wayne Boyer archives</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="72368">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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        <name>dancing</name>
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        <name>Disco music</name>
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      <tag tagId="623">
        <name>Mujeres Latinas en Acción</name>
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      <tag tagId="620">
        <name>Pilsen</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Festival de Mujeres 1979 Collection</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="40273">
                  <text>See individual items for rights, permissions and citations.</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
                </elementText>
                <elementText elementTextId="40275">
                  <text>Spanish</text>
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              </elementTextContainer>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="40276">
                  <text>Seif, Hinda&#13;
Solís, Diana</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="40277">
                  <text>Pilsen, Chicago, IL</text>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FEST0004</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39712">
                <text>Mujeres Latinas en Acción Open House wth 'Aunt' Grace González (center), Pilsen, Chicago, 1977</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39713">
                <text>Solís, Diana</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39714">
                <text>For opening of newly rehabbed office on 800 block of 17th St. Outdoor shot.</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39715">
                <text>Mexican American women</text>
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              <elementText elementTextId="39716">
                <text>Mexican American photographers</text>
              </elementText>
              <elementText elementTextId="39717">
                <text>Women in nonprofit organizations</text>
              </elementText>
              <elementText elementTextId="39718">
                <text>Feminism</text>
              </elementText>
              <elementText elementTextId="39719">
                <text>Women photographers--United States Chicago (Ill.)</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39720">
                <text>1977</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="39721">
                <text>Still image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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