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                <text>[Wedding invitation for Camille Elizabeth Lipka and Matthew Wayne Foster]</text>
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                <text>Invitation to the wedding of Camille Elizabeth Lipka to Matthew Wayne Foster, includes an envelope addressed to Mr. and Mrs. Smith, Mary Jo Colleen, Courtney, and Caroline, sheet of tissue paper, two maps, and directions indicating the locations of the ceremony at Aldersgate United Methodist Church and the reception at The Balcony.</text>
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                <text> Invitación para la boda de Camille Elizabeth y Matthew Wayne Foster, incluye un sobre dirigido al Sr. y Sra. Smith, Mary Jo Colleen, Courtney, y Caroline, incluye papel de seda, dos mapas y direcciones que indican la ubicación de la ceremonia en la iglesia Metodista Aldersgate y la recepción en el salón The Balcony.</text>
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                <text> Inglés</text>
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                <text>[Wedding invitation for Ilene L. Katz and Wayne L. Pappert]</text>
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                <text>Mr. and Mrs. Louis Katz</text>
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                <text>An invitation from Mr. and Mrs. Louis Katz to the wedding of Ilene L. Katz to Wayne L. Pappert, son of Mr. and Mrs Jerome Pappert. All text in cursive and printed in black, and at the top, there is writing in Hebrew.</text>
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                <text> Una invitación de Sr. y Sra. Louis Katz para la boda de Ilene L. Katz y Wayne L. Pappert, el hijo de Sr. y Sra. Jerome Pappert. Texto impreso en cursiva. Incluye texto en hebreo.</text>
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                <text> Inglés Hebrew/Hebreo</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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                  <text>Las “Estampas de Harlem” de José Valdés Cadilla en &lt;em&gt;La voz&lt;/em&gt; (1938)/ "Sketches of Harlem" by José Valdés Cadilla in &lt;em&gt;La voz&lt;/em&gt;.</text>
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                  <text>Prensa en español&#13;
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                  <text>Spanish periodicals</text>
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                  <text>Humor gráfico, sátira, etc.</text>
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                  <text>Cartoons, satire, etc.</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>Colección de 18 viñetas del dibujante José Valdés Cadilla. Esta colección se publicó en el periódico &lt;em&gt;La voz&lt;/em&gt; de Nueva York entre marzo y julio de 1938. Casi todas las imágenes vienen acompañadas de un texto escrito que ayuda a explicar las sutilezas de la escena. Trece de estas imágenes forman parte una colección titulada “Estampas de Harlem” y son escenas costumbristas, irónicas, críticas y/o humorísticas que retratan a los vecinos del barrio. Estas viñetas documentan la vida cotidiana y también los retos y logros de esa vecindad mayoritariamente hispana y latina. Cuatro dibujos conmemoran fechas y eventos especiales: el séptimo aniversario de la República Española, el homenaje a las madres españolas, el segundo aniversario de la Guerra Civil o el primero de Mayo. El retrato de Fernando de los Ríos es una imagen inédita que pertenece a una colección particular. &lt;br /&gt;Los pocos datos que se conocen sobre José Valdés Cadilla provienen del censo de los Estados Unidos. Nació en San Juan (Puerto Rico) en 1908, su madre era puertorriqueña y su padre español. José y sus cuatro hermanxs se quedaron huérfanos muy pronto y se mudaron a vivir a Arecibo con unos tíos. En los años treinta Valdés Cadilla vivía en Nueva York y en 1953 seguía residiendo en la ciudad, pues fue el pintor encargado de dibujar un fresco alegórico para las honras fúnebres de Julia de Burgos. &lt;span&gt;El periódico &lt;em&gt;La voz&lt;/em&gt; lo describe como un "bohemio consuetudinario en perenne regeneración, Valdés Cadilla ha vivido de cerca la tragedia de muchos hispanos en esta Babel inmisericorde y sabe como pocos del duro aguijonazo del dolor neoyorquino.” (&lt;em&gt;La voz&lt;/em&gt; 1938-03-26, p. 12). &lt;/span&gt;Hasta el momento, ha sido imposible localizar ningún otro dato sobre este dibujante de gran talento, creador de esta magnífica breve colección de viñetas que ofrecen una singular panorámica costumbrista de Harlem en los años treinta.&lt;br /&gt;&lt;em&gt;La voz&lt;/em&gt; describe así esta colección de documentos: "Es esta una valiosa colección de "Cuadros costumbristas de Harlem", representativos de escenas, personajes y costumbres típicas del corazón hispano de Nueva York. En ellos se plantea, con sobriedad de rasgos y riqueza de expresión, muchos de los graves problemas que aquejan a la colectividad y cuya solución se hace cada día más imperiosa. También se exhiben, con el sano propósito de combatirlos, algunos de los vicios imperantes en determinados ambientes y que son comunes a todo conglomerado humano" (&lt;em&gt;La voz&lt;/em&gt;, 1938-3-26,p. 12)</text>
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                  <text>&lt;strong&gt;Cómo citar este proyecto: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Acceso [FECHA].&lt;/strong&gt;</text>
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                  <text>A collection of eighteen sketches by José Valdés Cadilla. This collection was published in the newspaper &lt;em&gt;La voz&lt;/em&gt; (New York) from April through July of 1938. Every image is accompanied by a written description that helps explain the nuances within the drawing. Thirteen of the images are part of a collection entitled “Estampas de Harlem” (“Scenes from Harlem”). These ironic, critical, and/or humoristic scenes capture the neighborhood residents and their local customs. These sketches illustrate everyday life, the customs and festivities, but also the difficulties, challenges, and achievements of the primarily Hispanic and Latino community. &lt;br /&gt;There are four drawings that commemorate special dates and events: the seventh anniversary of the Spanish Republic, a tribute to Spanish mothers, the second anniversary of the Civil War, and International Workers Day. The portrait of Fernando de los Ríos has never been published as it belongs to a private collection. &lt;br /&gt;There is little data about Puerto Rican artist José Valdés Cadilla. He was born in San Juan (Puerto Rico) in 1908. His mother was Puertorrican and his father was from Spain and worked at the tobacco factory. José and his four siblings were orphaned in childhood and moved to Arecibo to live with some relatives. In the 1930s Valdés Cadilla was living in New York. In 1953 he still lived in the city as he painted an allegorical fresco for Julia de Burgos´ funeral services. &lt;span&gt;The newspaper &lt;em&gt;La voz&lt;/em&gt; described him as a “bohemian in permanent regeneration, Valdés Cadilla has lived the tragedy of many Hispanics in this merciless Babel, and he knows about the cruel bite of New York´s pain” (La voz 1938-03-26, p. 12). &lt;/span&gt;Until now, it has been impossible to obtain any additional information about this talented artist and creator of this short-lived but brilliant collection of sketches that offers an exceptional panorama of everyday life in Harlem during the 1930s. (Translation by Michelle Tennyson, University of Connecticut)</text>
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                <elementText elementTextId="39059">
                  <text>&lt;strong&gt;How to cite this project: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Accesed [DATE].&lt;/strong&gt;</text>
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                <elementText elementTextId="39060">
                  <text>Editado y compilado por/Curated and compiled by&#13;
Prof. Ana María Díaz-Marcos, University of Connecticut.&#13;
Traducciones al inglés de Michelle Tennyson, University of Connecticut&#13;
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                <elementText elementTextId="40306">
                  <text>&lt;strong&gt;Agradecimientos/Acknowledgements&lt;/strong&gt;&amp;nbsp;a Gloria Barbazán y Raquel Starace (hija y nieta de Ceferino Barbazán, presidente de&lt;em&gt; La voz&lt;/em&gt;) y a Cristina Pérez Jiménez de Manhattan College que compartió conmigo la viñeta "La voz en el subway".</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39046">
                  <text>Valdés Cadilla, Jesús&#13;
</text>
                </elementText>
                <elementText elementTextId="39047">
                  <text>The Spanish Newspaper Corporation</text>
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              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="39048">
                  <text>New York Public Library, General Research Division</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="39049">
                  <text>La Voz: Diario Democrático Avanzado (Nueva York)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39050">
                  <text>1938-04-14</text>
                </elementText>
                <elementText elementTextId="39051">
                  <text>1938-07-19</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39052">
                  <text>Esta colección tiene fines educativos y de investigación. **USO JUSTO** permitido dentro del marco de fines como la crítica, el comentario, las noticias, la enseñanza, la educación y la investigación. Nota: Esta investigación concluye que La voz está en dominio público. El periódico se publicó con una nota de derechos entre 1937-1939 pero no está registrado en el Registro del Copyright en esos años. Tampoco se renovaron los derechos después de 28 años y el periódico no aparece en el catálogo de Derechos de Autor de 1965.</text>
                </elementText>
                <elementText elementTextId="39053">
                  <text>This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.&#13;
Note: La voz should be in public domain. The newspaper was published with a copyright note between 1937-1939 but there is no registration in the Catalogue of Copyright entries on those years. Copyright was not renewed after 28 years and it does not appear in the 1965 Catalogue of Copyright. </text>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39055">
                  <text>Spanish</text>
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            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39056">
                  <text>Still Image</text>
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              </elementTextContainer>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>Valdes0000</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="39058">
                  <text>New York, N.Y., USA</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39061">
                  <text>Valdés Cadilla, José</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="38720">
                <text>Valdes0002</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38721">
                <text>&lt;em&gt;La voz&lt;/em&gt; en el subway/&lt;em&gt;La voz&lt;/em&gt; in the subway</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38722">
                <text>Valdés Cadilla, José</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38723">
                <text>Esta viñeta refleja a la perfección la diversidad cultural de Nueva York representada en estxs tres vecinxs que viajan en metro juntxs desde el barrio de Harlem. El texto describe a lxs pasajerxs: Maruja es una mujer “latina” moderna, profesional y de ideología democrática que está leyendo &lt;em&gt;La voz&lt;/em&gt; camino del trabajo. Está sentada junto a Cohen, un señor judío que lee el periódico yiddish &lt;em&gt;El judío mañanero&lt;/em&gt; (concretamente noticias sobre los decretos de Hitler contra los judíos) y al lado del italiano Vitorio que lee el periódico &lt;em&gt;Il Popolo.&lt;/em&gt;</text>
              </elementText>
              <elementText elementTextId="41281">
                <text>This sketch wholly reflects New York City’s cultural diversity, as represented by three residents riding the subway together in Harlem. The caption describes the passengers: Maruja, a modern, professional Latina of democratic ideals, reads &lt;em&gt;La voz&lt;/em&gt; on her way to work. She is seated beside Cohen, a Jewish gentleman who is reading the Yiddish newspaper, &lt;em&gt;The Jewish Morning &lt;/em&gt;(he reads an article regarding Hitler’s decree against Jews). Riding alongside Cohen, Vitorio, an Italian gentleman, reads the newspaper &lt;em&gt;Il Popolo&lt;/em&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38724">
                <text>Prensa en español-- secciones y columnas, etc.</text>
              </elementText>
              <elementText elementTextId="38725">
                <text> Viñetas, sátira, etc.</text>
              </elementText>
              <elementText elementTextId="38726">
                <text> Diversidad cultural</text>
              </elementText>
              <elementText elementTextId="38727">
                <text> Spanish newspapers--Sections, columns, etc.</text>
              </elementText>
              <elementText elementTextId="38728">
                <text> Cartoons, satire, etc.</text>
              </elementText>
              <elementText elementTextId="38729">
                <text> Cultural pluralism</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38730">
                <text>1938-04-16</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38731">
                <text>Still image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38732">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="38733">
                <text>New York Public Library</text>
              </elementText>
              <elementText elementTextId="38734">
                <text> La voz (New York), p.15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38735">
                <text>Spanish</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="38736">
                <text>La voz: Diario Democrático Avanzado. Nueva York</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="38737">
                <text>La marqueta</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="38738">
                <text>Harlem, New York, (N.Y.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="72351">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="606">
        <name>Lectorxs de periódicos</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="3669" public="1" featured="0">
    <fileContainer>
      <file fileId="2594">
        <src>http://usldhrecovery.uh.edu/files/original/2a0a99f2d7b2905ff6d5b6013005b86e.jpg</src>
        <authentication>4a11e8d5297e87b188b8c09de3a0ee5b</authentication>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28716">
                  <text>Antifascismo y feminismo en la "Página de la mujer" de &lt;em&gt;La Voz&lt;/em&gt; (Nueva York, 1938)/ Antifascism and feminism in the "Women´s page" of &lt;em&gt;La Voz&lt;/em&gt; (New York, 1938)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28717">
                  <text>Spanish Periodicals&#13;
Prensa en español</text>
                </elementText>
                <elementText elementTextId="28718">
                  <text>Anti-fascist movements--United States&#13;
Movimientos antifascistas--Estados Unidos</text>
                </elementText>
                <elementText elementTextId="28719">
                  <text>Spain--History--Civil War, 1936-1939&#13;
España--Historia--Guerra Civil, 1936-1939</text>
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                <elementText elementTextId="28720">
                  <text>Women´s rights&#13;
Derechos de las mujeres</text>
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                <elementText elementTextId="28721">
                  <text>Women and fascism&#13;
Mujeres y fascismo</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28722">
                  <text>1. Selección de documentos que ilustran la historia del periódico &lt;em&gt;La Voz &lt;/em&gt;(Nueva York: 1937-1939).&lt;br /&gt;2. Selección de artículos de contenido político y social publicados en 1938 en la "Página de la mujer" de &lt;em&gt;La Voz &lt;/em&gt;sobre asuntos políticos: antifascismo, valores democráticos, feminismo, derechos de las mujeres, movimientos por la paz y solidaridad internacional&lt;br /&gt;Este proyecto se ha llevado a cabo gracias a una beca del US Latino Digital Humanities program (USLDH) y The Andrew W. Mellon Foundation. Para más información sobre esta iniciativa de Recuperación del Legado Literario Hispánico en USA/Arte Público Press: &lt;a href="https://artepublicopress.com/2020-usldh-mellon-funded-grants-in-aid-projects/"&gt;https://artepublicopress.com/2020-usldh-mellon-funded-grants-in-aid-projects/&lt;/a&gt;&lt;br /&gt;&#13;
&lt;h5&gt;&lt;span&gt;&lt;span style="text-decoration: underline;"&gt;Cómo citar este proyecto&lt;/span&gt;: Ana María Díaz-Marcos&lt;/span&gt;&lt;span&gt;. "Antifascismo y feminismo en la "Página de la mujer" de &lt;em&gt;La Voz&lt;/em&gt; (Nueva York, 1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/26. Acceso [FECHA].&lt;/span&gt;&lt;/h5&gt;</text>
                </elementText>
                <elementText elementTextId="35942">
                  <text>1. Selected documents illustrating the history of the Spanish newspaper &lt;em&gt;La Voz &lt;/em&gt;(New York: 1937-1939).&lt;br /&gt;2. A collection of selected articles from the "Women´s page" published in 1938 in &lt;em&gt;La Voz&lt;/em&gt; addressing political and social issues: antifascism, democracy, feminism, women´s rights, peace movements and international solidarity.&lt;br /&gt;This project is supported by a grant-in-aid from the US Latino Digital Humanities program (USLDH) and The Andrew W. Mellon Foundation. For more information about USLDH-Mellon grants-in-aid initiative at Recovering the US Hispanic Literary Heritage/Arte Público Press, please visit: &lt;a href="https://artepublicopress.com/2020-usldh-mellon-funded-grants-in-aid-projects/"&gt;https://artepublicopress.com/2020-usldh-mellon-funded-grants-in-aid-projects/&lt;/a&gt;&lt;br /&gt;&#13;
&lt;h5&gt;&lt;span&gt;&lt;span style="text-decoration: underline;"&gt;How to cite this project&lt;/span&gt;: Ana María Díaz-Marcos&lt;/span&gt;&lt;span&gt;. "Antifascism and feminism in the "Women´s page" of &lt;em&gt;La Voz&lt;/em&gt; (New York, 1938)" Recovering the US Hispanic Literary Heritage Digital Collections. &lt;/span&gt;&lt;span&gt;http://129.7.224.3/collections/show/26. Accessed [DATE].&lt;/span&gt;&lt;/h5&gt;</text>
                </elementText>
                <elementText elementTextId="36343">
                  <text>&lt;h4 style="text-align: center;"&gt;&lt;strong&gt;Editado y compilado por/Curated and compiled by&lt;/strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;Prof. Ana María Díaz-Marcos, University of Connecticut.&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/h4&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Agradecimientos/Acknowledgements&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
Vitalina Alfonso (Cuba), José María Arévalo López de Ontiveros (Editorial Almuzara), Gloria y Raquel Barbazán Starace (Nueva York), Ciro Bianchi Ross (Cuba), Eric Caraballoso Díaz (Cuba), Montse Feu (Sam Houston State University), Richard Foster (Biblioteca Pública de Nueva York), Ana Lau Jaivén (UAM, México), Vida Montseny y Esgleas y Catherine Portoff (Francia), Cristina Pérez Jiménez (Manhattan College), Paul Preston (London School of Economics), Dolores Ruiz-Ibárruri Sergueyeva (Madrid), Enrique Saínz de la Torriente (Cuba), Sonia Thon (Acadia University, Canadá), Mikel Urabaien Otamendi (Diario de Noticias), Elena Vicéns (ACИ, Moscú), Vianca Victor y Tara Craig (Columbia University), Lindsay Wittwer (CUNY)</text>
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              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28723">
                  <text>The Spanish Newspaper Corporation</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="28724">
                  <text>New York Public Library, General Research Division</text>
                </elementText>
                <elementText elementTextId="28725">
                  <text>La Voz: Diario Democrático Avanzado (Nueva York)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="28726">
                  <text>The Spanish Newspaper Corporation</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28728">
                  <text>1937-1939</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28729">
                  <text>Aparicio, Rosa Amelia</text>
                </elementText>
                <elementText elementTextId="28730">
                  <text>Barbazán, Ceferino</text>
                </elementText>
                <elementText elementTextId="28738">
                  <text>Batlle y Ordóñez, José</text>
                </elementText>
                <elementText elementTextId="28739">
                  <text>Comités Femeninos Unidos</text>
                </elementText>
                <elementText elementTextId="28740">
                  <text>Comité Pro Diario Popular Hispano</text>
                </elementText>
                <elementText elementTextId="28741">
                  <text>Federn, Etta</text>
                </elementText>
                <elementText elementTextId="28742">
                  <text>García, María del Refugio "Cuca"</text>
                </elementText>
                <elementText elementTextId="28743">
                  <text>González, Ernestina</text>
                </elementText>
                <elementText elementTextId="28744">
                  <text>Hellmann, Lillian</text>
                </elementText>
                <elementText elementTextId="28745">
                  <text>Ibárruri, Dolores</text>
                </elementText>
                <elementText elementTextId="28746">
                  <text>Lagerlöf, Selma</text>
                </elementText>
                <elementText elementTextId="28747">
                  <text>Mares, Lina</text>
                </elementText>
                <elementText elementTextId="28748">
                  <text>Miaja Menant, José</text>
                </elementText>
                <elementText elementTextId="28749">
                  <text>Montseny, Federica</text>
                </elementText>
                <elementText elementTextId="28750">
                  <text>Nelken, Margarita</text>
                </elementText>
                <elementText elementTextId="28751">
                  <text>Robles de Mendoza, Margarita</text>
                </elementText>
                <elementText elementTextId="36044">
                  <text>Torriente, Loló de la</text>
                </elementText>
                <elementText elementTextId="36045">
                  <text>Trejo, Blanca Lydia</text>
                </elementText>
                <elementText elementTextId="36240">
                  <text>Valdés Cadilla, José</text>
                </elementText>
                <elementText elementTextId="36241">
                  <text>Villareal, María</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28731">
                  <text>This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.&lt;br /&gt;&lt;strong&gt;Note&lt;/strong&gt;: &lt;em&gt;La voz&lt;/em&gt; should be in public domain. The newspaper was published with a copyright note between 1937-1939 but there is no registration in the Catalogue of Copyright entries on those years. Copyright was not renewed after 28 years and it does not appear in the 1965 Catalogue of Copyright. &lt;br /&gt;We are grateful to Gloria and Raquel Barbazán Starace, daughter and granddaughter of Ceferino Barbazán, president of &lt;em&gt;La voz&lt;/em&gt;, for granting permission to publish this selection of articles.</text>
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                  <text>Esta colección tiene fines educativos y de investigación. **USO JUSTO** permitido dentro del marco de fines como la crítica, el comentario, las noticias, la enseñanza, la educación y la investigación.&lt;br /&gt;&lt;strong&gt;Nota&lt;/strong&gt;: Esta investigación concluye que &lt;em&gt;La voz&lt;/em&gt; está en dominio público. El periódico se publicó con una nota de derechos entre 1937-1939 pero no está registrado en el Registro del Copyright en esos años. Tampoco se renovaron los derechos después de 28 años y el periódico no aparece en el catálogo de Derechos de Autor de 1965. &lt;br /&gt;Nuestro más sincero agradecimiento a Gloria y Raquel Barbazán Starace, hija y nieta del presidente de &lt;em&gt;La voz&lt;/em&gt;, Ceferino Barbazán, por otorgar su permiso para publicar esta selección de artículos.</text>
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                <text>La Voz: Diario democrático avanzado (Nueva York), p. 16</text>
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                  <text>&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=09q9B5oy870&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=7&amp;amp;t=45s"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                <text>Dos paneles contrastan que el pueblo celebra el primero de mayo durante la Segunda República española pero se manifiesta por derechos civiles durante la dictadura de Franco.</text>
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                </elementText>
                <elementText elementTextId="58667">
                  <text>Inglés</text>
                </elementText>
                <elementText elementTextId="58668">
                  <text>Spanish</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="58669">
                  <text>Text</text>
                </elementText>
                <elementText elementTextId="58670">
                  <text>Still Image</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="58671">
                  <text>negd0000</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="58672">
                  <text>DEL Rio (Tex.)</text>
                </elementText>
                <elementText elementTextId="58673">
                  <text>SAN Antonio (Tex.)</text>
                </elementText>
                <elementText elementTextId="58674">
                  <text>LAREDO (Tex.)</text>
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              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="60206">
                  <text>Puerto Rican literature</text>
                </elementText>
                <elementText elementTextId="69316">
                  <text>Poetry</text>
                </elementText>
                <elementText elementTextId="69317">
                  <text>Puerto Rican authors—20th century</text>
                </elementText>
                <elementText elementTextId="69318">
                  <text>Hispanic Americans—Texas—History</text>
                </elementText>
                <elementText elementTextId="69319">
                  <text>United States—Race relations—History—20th century</text>
                </elementText>
                <elementText elementTextId="69320">
                  <text>LULAC (Organization)</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="69321">
                  <text>The Delis Negrón Collection documents the literary, editorial, and activist work of Puerto Rican author, journalist, and educator Delis Negrón (1901–1956). Donated by his family to the Recovering the US Hispanic Literary Heritage Program, the collection includes family photographs, correspondence (letters and postcards), poetry and handwritten manuscripts and newspaper clippings from Hispanic periodicals, such as La Prensa, &lt;em&gt;The Laredo Times&lt;/em&gt;, &lt;em&gt;El Tiempo Diario de Laredo&lt;/em&gt;, &lt;em&gt;El Jicote&lt;/em&gt;, &lt;em&gt;El ciudadano del sur de Texas&lt;/em&gt; and &lt;em&gt;Las noticias&lt;/em&gt;. Negrón was a cultural figure in South Texas and Mexico City, and he contributed to the Latino press and civil rights organizations such as the League of United Latin American Citizens (LULAC), Gran cadena fraternal filantrópica, Sociedad de obreros, Sociedad fraternal mexicoamericana, Hijos de Juárez and Fé, esperanza y caridad. &lt;br /&gt;&lt;br /&gt;This digital collection, originally on Wix, was moved to Omeka and expanded to meet standards for Dublin Core.</text>
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                <elementText elementTextId="69870">
                  <text>&lt;br /&gt;La Colección Delis Negrón documenta la labor literaria, editorial y activista del autor, periodista y educador puertorriqueño Delis Negrón (1901–1956). Donada por su familia al programa &lt;span&gt;Recuperación de la herencia literaria hispana en los Estados Unidos (“Recovery”)&lt;/span&gt;, la colección incluye fotografías familiares, correspondencia (cartas y postales), poesía y manuscritos escritos a mano, así como recortes de periódicos hispanos como &lt;em&gt;La Prensa&lt;/em&gt;, &lt;em&gt;The Laredo Times&lt;/em&gt;, &lt;em&gt;El Tiempo Diario de Laredo&lt;/em&gt;, &lt;em&gt;El Jicote&lt;/em&gt;, &lt;em&gt;El Ciudadano del Sur de Texas&lt;/em&gt; y &lt;em&gt;Las Noticias&lt;/em&gt;. Negrón fue una figura cultural en el sur de Texas y la Ciudad de México, y colaboró con la prensa latina y con organizaciones de derechos civiles como LULAC, Gran Cadena fraternal filantrópica, Sociedad de obreros, Sociedad fraternal mexicoamericana, Hijos de Juárez y Fe, esperanza y caridad. &lt;br /&gt;&lt;br /&gt;Esta colección digital, originalmente alojada en Wix, fue transferida a Omeka y ampliada para cumplir con los estándares de Dublin Core.</text>
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              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="69871">
                  <text>Negrón, Delis. "¡Madre! ¿Por qué no vienes?" Proyecto de la literatura puertorriqueña/The Puerto Rican Literature Project, https://plpr.uh.edu/s/es/item/1274</text>
                </elementText>
                <elementText elementTextId="69872">
                  <text>Negrón, Delis. "Dura Lex." Proyecto de la literatura puertorriqueña/The Puerto Rican Literature Project,  https://plpr.uh.edu/s/es/item/1273</text>
                </elementText>
                <elementText elementTextId="69873">
                  <text>Negrón, Delis. "Palabras." Proyecto de la literatura puertorriqueña/The Puerto Rican Literature Project, https://plpr.uh.edu/s/es/item/1275</text>
                </elementText>
                <elementText elementTextId="69874">
                  <text>Negrón, Delis. "Romance del soldado muerto." Proyecto de la literatura puertorriqueña/The Puerto Rican Literature Project, https://plpr.uh.edu/s/es/item/1276</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="65235">
                <text>negd0070</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65236">
                <text>Español</text>
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              <elementText elementTextId="65237">
                <text> Spanish</text>
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              <elementText elementTextId="65254">
                <text>Español/Spanish</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65238">
                <text>1000 Poll-Taxes</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65239">
                <text>Negrón, Delis</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65240">
                <text>Recorte del periódico El ciudadano del sur de Texas de abril 6, 1934, número 19, con la columna editorial "Abriendo Brecha" escrita por Delis Negrón. La columna contiene varias secciones: "1000 Poll-Taxes", "Empistoletados", "Votantes ilegales", "[ilegible] el rigor de la ley" y "[ilegible]ados", sobre irregularidades durante las elecciones.</text>
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              <elementText elementTextId="65241">
                <text> Newspaper clipping from the newspaper El ciudadano del sur de Texas, dated April 6, 1934, number 19 with the editorial column "Abriendo Brecha" written by Delis Negrón. The column contains various sections about irregularities during elections, including: "1000 Poll-Taxes", "Empistoletados" ["Well-connected People"], "Votantes ilegales" ["Illegal voters"], "[illegible] el rigor de la ley" ["...rigor of the law"] and "[illegible]ados."</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65250">
                <text>1934-04-06</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65251">
                <text>Text</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="65252">
                <text>Delis Negrón Collection</text>
              </elementText>
              <elementText elementTextId="65253">
                <text> El ciudadano del sur de Texas, no. 19, 6 de abril 1934.</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="65255">
                <text>El Ciudadano del Sur de Texas</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="65257">
                <text>JPG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="72885">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="940">
        <name>El ciudadano del sur de Texas</name>
      </tag>
      <tag tagId="81">
        <name>Elecciones</name>
      </tag>
      <tag tagId="938">
        <name>elections</name>
      </tag>
      <tag tagId="939">
        <name>laws</name>
      </tag>
      <tag tagId="937">
        <name>leyes</name>
      </tag>
      <tag tagId="848">
        <name>newspaper</name>
      </tag>
      <tag tagId="888">
        <name>periódico</name>
      </tag>
      <tag tagId="901">
        <name>política</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="3827" public="1" featured="0">
    <fileContainer>
      <file fileId="2840">
        <src>http://usldhrecovery.uh.edu/files/original/29/3827/Valdes0001.jpg</src>
        <authentication>c192d48a68190446dd9b4484bdfa65ce</authentication>
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    </fileContainer>
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="38695">
                  <text>Las “Estampas de Harlem” de José Valdés Cadilla en &lt;em&gt;La voz&lt;/em&gt; (1938)/ "Sketches of Harlem" by José Valdés Cadilla in &lt;em&gt;La voz&lt;/em&gt;.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39039">
                  <text>Prensa en español&#13;
</text>
                </elementText>
                <elementText elementTextId="39040">
                  <text>Spanish periodicals</text>
                </elementText>
                <elementText elementTextId="39041">
                  <text>Humor gráfico, sátira, etc.</text>
                </elementText>
                <elementText elementTextId="39042">
                  <text>Cartoons, satire, etc.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39043">
                  <text>Colección de 18 viñetas del dibujante José Valdés Cadilla. Esta colección se publicó en el periódico &lt;em&gt;La voz&lt;/em&gt; de Nueva York entre marzo y julio de 1938. Casi todas las imágenes vienen acompañadas de un texto escrito que ayuda a explicar las sutilezas de la escena. Trece de estas imágenes forman parte una colección titulada “Estampas de Harlem” y son escenas costumbristas, irónicas, críticas y/o humorísticas que retratan a los vecinos del barrio. Estas viñetas documentan la vida cotidiana y también los retos y logros de esa vecindad mayoritariamente hispana y latina. Cuatro dibujos conmemoran fechas y eventos especiales: el séptimo aniversario de la República Española, el homenaje a las madres españolas, el segundo aniversario de la Guerra Civil o el primero de Mayo. El retrato de Fernando de los Ríos es una imagen inédita que pertenece a una colección particular. &lt;br /&gt;Los pocos datos que se conocen sobre José Valdés Cadilla provienen del censo de los Estados Unidos. Nació en San Juan (Puerto Rico) en 1908, su madre era puertorriqueña y su padre español. José y sus cuatro hermanxs se quedaron huérfanos muy pronto y se mudaron a vivir a Arecibo con unos tíos. En los años treinta Valdés Cadilla vivía en Nueva York y en 1953 seguía residiendo en la ciudad, pues fue el pintor encargado de dibujar un fresco alegórico para las honras fúnebres de Julia de Burgos. &lt;span&gt;El periódico &lt;em&gt;La voz&lt;/em&gt; lo describe como un "bohemio consuetudinario en perenne regeneración, Valdés Cadilla ha vivido de cerca la tragedia de muchos hispanos en esta Babel inmisericorde y sabe como pocos del duro aguijonazo del dolor neoyorquino.” (&lt;em&gt;La voz&lt;/em&gt; 1938-03-26, p. 12). &lt;/span&gt;Hasta el momento, ha sido imposible localizar ningún otro dato sobre este dibujante de gran talento, creador de esta magnífica breve colección de viñetas que ofrecen una singular panorámica costumbrista de Harlem en los años treinta.&lt;br /&gt;&lt;em&gt;La voz&lt;/em&gt; describe así esta colección de documentos: "Es esta una valiosa colección de "Cuadros costumbristas de Harlem", representativos de escenas, personajes y costumbres típicas del corazón hispano de Nueva York. En ellos se plantea, con sobriedad de rasgos y riqueza de expresión, muchos de los graves problemas que aquejan a la colectividad y cuya solución se hace cada día más imperiosa. También se exhiben, con el sano propósito de combatirlos, algunos de los vicios imperantes en determinados ambientes y que son comunes a todo conglomerado humano" (&lt;em&gt;La voz&lt;/em&gt;, 1938-3-26,p. 12)</text>
                </elementText>
                <elementText elementTextId="39044">
                  <text>&lt;strong&gt;Cómo citar este proyecto: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Acceso [FECHA].&lt;/strong&gt;</text>
                </elementText>
                <elementText elementTextId="39045">
                  <text>A collection of eighteen sketches by José Valdés Cadilla. This collection was published in the newspaper &lt;em&gt;La voz&lt;/em&gt; (New York) from April through July of 1938. Every image is accompanied by a written description that helps explain the nuances within the drawing. Thirteen of the images are part of a collection entitled “Estampas de Harlem” (“Scenes from Harlem”). These ironic, critical, and/or humoristic scenes capture the neighborhood residents and their local customs. These sketches illustrate everyday life, the customs and festivities, but also the difficulties, challenges, and achievements of the primarily Hispanic and Latino community. &lt;br /&gt;There are four drawings that commemorate special dates and events: the seventh anniversary of the Spanish Republic, a tribute to Spanish mothers, the second anniversary of the Civil War, and International Workers Day. The portrait of Fernando de los Ríos has never been published as it belongs to a private collection. &lt;br /&gt;There is little data about Puerto Rican artist José Valdés Cadilla. He was born in San Juan (Puerto Rico) in 1908. His mother was Puertorrican and his father was from Spain and worked at the tobacco factory. José and his four siblings were orphaned in childhood and moved to Arecibo to live with some relatives. In the 1930s Valdés Cadilla was living in New York. In 1953 he still lived in the city as he painted an allegorical fresco for Julia de Burgos´ funeral services. &lt;span&gt;The newspaper &lt;em&gt;La voz&lt;/em&gt; described him as a “bohemian in permanent regeneration, Valdés Cadilla has lived the tragedy of many Hispanics in this merciless Babel, and he knows about the cruel bite of New York´s pain” (La voz 1938-03-26, p. 12). &lt;/span&gt;Until now, it has been impossible to obtain any additional information about this talented artist and creator of this short-lived but brilliant collection of sketches that offers an exceptional panorama of everyday life in Harlem during the 1930s. (Translation by Michelle Tennyson, University of Connecticut)</text>
                </elementText>
                <elementText elementTextId="39059">
                  <text>&lt;strong&gt;How to cite this project: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Accesed [DATE].&lt;/strong&gt;</text>
                </elementText>
                <elementText elementTextId="39060">
                  <text>Editado y compilado por/Curated and compiled by&#13;
Prof. Ana María Díaz-Marcos, University of Connecticut.&#13;
Traducciones al inglés de Michelle Tennyson, University of Connecticut&#13;
</text>
                </elementText>
                <elementText elementTextId="40306">
                  <text>&lt;strong&gt;Agradecimientos/Acknowledgements&lt;/strong&gt;&amp;nbsp;a Gloria Barbazán y Raquel Starace (hija y nieta de Ceferino Barbazán, presidente de&lt;em&gt; La voz&lt;/em&gt;) y a Cristina Pérez Jiménez de Manhattan College que compartió conmigo la viñeta "La voz en el subway".</text>
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              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39046">
                  <text>Valdés Cadilla, Jesús&#13;
</text>
                </elementText>
                <elementText elementTextId="39047">
                  <text>The Spanish Newspaper Corporation</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="39048">
                  <text>New York Public Library, General Research Division</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="39049">
                  <text>La Voz: Diario Democrático Avanzado (Nueva York)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39050">
                  <text>1938-04-14</text>
                </elementText>
                <elementText elementTextId="39051">
                  <text>1938-07-19</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39052">
                  <text>Esta colección tiene fines educativos y de investigación. **USO JUSTO** permitido dentro del marco de fines como la crítica, el comentario, las noticias, la enseñanza, la educación y la investigación. Nota: Esta investigación concluye que La voz está en dominio público. El periódico se publicó con una nota de derechos entre 1937-1939 pero no está registrado en el Registro del Copyright en esos años. Tampoco se renovaron los derechos después de 28 años y el periódico no aparece en el catálogo de Derechos de Autor de 1965.</text>
                </elementText>
                <elementText elementTextId="39053">
                  <text>This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.&#13;
Note: La voz should be in public domain. The newspaper was published with a copyright note between 1937-1939 but there is no registration in the Catalogue of Copyright entries on those years. Copyright was not renewed after 28 years and it does not appear in the 1965 Catalogue of Copyright. </text>
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              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39054">
                  <text>jpeg</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39055">
                  <text>Spanish</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39056">
                  <text>Still Image</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="39057">
                  <text>Valdes0000</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="39058">
                  <text>New York, N.Y., USA</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39061">
                  <text>Valdés Cadilla, José</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="38696">
                <text>Valdes0001</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38697">
                <text>14 de abril de 1938: siete años de República y veintiún meses de tragedia/April 14th 1938: 7 years of Republic and 21 months of tragedy</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38698">
                <text>Valdés Cadilla, José</text>
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            <description>A related resource</description>
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                <text>Homenaje a la madre española</text>
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                <text> El final de los caínes</text>
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                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                  <text>Copyright &#13;
Arte Público Press as a post-custodial repository.&#13;
Montse Feu as curator of the collection and editor of exhibits.&#13;
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                <text>14 de abril y Franco. April, 14th and Franco</text>
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                <text>The date that commemorates the Second Republic, April 14, has been painted on a street wall. Francisco Franco is alarmed at the growing assertiveness of the antifascist resistance. </text>
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                <text>Aragonés Domenech, Sergio.</text>
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                <text>http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex</text>
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                <text>La fecha del 14 de abril que commemora la República, el 14 de abril, se ha escrito en una pared. Francisco Franco se alarma de la firmeza de la resistencia antifascista. </text>
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                  <text>&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=09q9B5oy870&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=7&amp;amp;t=45s"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
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&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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