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                  <text>The Delis Negrón Collection documents the literary, editorial, and activist work of Puerto Rican author, journalist, and educator Delis Negrón (1901–1956). Donated by his family to the Recovering the US Hispanic Literary Heritage Program, the collection includes family photographs, correspondence (letters and postcards), poetry and handwritten manuscripts and newspaper clippings from Hispanic periodicals, such as La Prensa, &lt;em&gt;The Laredo Times&lt;/em&gt;, &lt;em&gt;El Tiempo Diario de Laredo&lt;/em&gt;, &lt;em&gt;El Jicote&lt;/em&gt;, &lt;em&gt;El ciudadano del sur de Texas&lt;/em&gt; and &lt;em&gt;Las noticias&lt;/em&gt;. Negrón was a cultural figure in South Texas and Mexico City, and he contributed to the Latino press and civil rights organizations such as the League of United Latin American Citizens (LULAC), Gran cadena fraternal filantrópica, Sociedad de obreros, Sociedad fraternal mexicoamericana, Hijos de Juárez and Fé, esperanza y caridad. &lt;br /&gt;&lt;br /&gt;This digital collection, originally on Wix, was moved to Omeka and expanded to meet standards for Dublin Core.</text>
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                  <text>&lt;br /&gt;La Colección Delis Negrón documenta la labor literaria, editorial y activista del autor, periodista y educador puertorriqueño Delis Negrón (1901–1956). Donada por su familia al programa &lt;span&gt;Recuperación de la herencia literaria hispana en los Estados Unidos (“Recovery”)&lt;/span&gt;, la colección incluye fotografías familiares, correspondencia (cartas y postales), poesía y manuscritos escritos a mano, así como recortes de periódicos hispanos como &lt;em&gt;La Prensa&lt;/em&gt;, &lt;em&gt;The Laredo Times&lt;/em&gt;, &lt;em&gt;El Tiempo Diario de Laredo&lt;/em&gt;, &lt;em&gt;El Jicote&lt;/em&gt;, &lt;em&gt;El Ciudadano del Sur de Texas&lt;/em&gt; y &lt;em&gt;Las Noticias&lt;/em&gt;. Negrón fue una figura cultural en el sur de Texas y la Ciudad de México, y colaboró con la prensa latina y con organizaciones de derechos civiles como LULAC, Gran Cadena fraternal filantrópica, Sociedad de obreros, Sociedad fraternal mexicoamericana, Hijos de Juárez y Fe, esperanza y caridad. &lt;br /&gt;&lt;br /&gt;Esta colección digital, originalmente alojada en Wix, fue transferida a Omeka y ampliada para cumplir con los estándares de Dublin Core.</text>
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                  <text>Negrón, Delis. "¡Madre! ¿Por qué no vienes?" Proyecto de la literatura puertorriqueña/The Puerto Rican Literature Project, https://plpr.uh.edu/s/es/item/1274</text>
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                  <text>Negrón, Delis. "Dura Lex." Proyecto de la literatura puertorriqueña/The Puerto Rican Literature Project,  https://plpr.uh.edu/s/es/item/1273</text>
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                  <text>Negrón, Delis. "Palabras." Proyecto de la literatura puertorriqueña/The Puerto Rican Literature Project, https://plpr.uh.edu/s/es/item/1275</text>
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                  <text>Negrón, Delis. "Romance del soldado muerto." Proyecto de la literatura puertorriqueña/The Puerto Rican Literature Project, https://plpr.uh.edu/s/es/item/1276</text>
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                <text>[Carta de Manuel Cruz a quien corresponda]</text>
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                <text>Carta del juez de paz de Laredo, Texas, Manuel Cruz, dando fe de que se habían vendido 723 ejemplares del libro de poemas, Palabras de Delis Negrón en Laredo, Texas y sus alrededores. Letter from the Justice of the Peace from Larerdo, Texas, Manuel Cruz, providing witness that 500 copies of Delis Negrón's poetry book Palabras had been sold in Laredo, Texas and the surrounding area.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Envelope addressed to Mr. Alonso S. Perales, postmarked 26 May 1958</text>
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            <name>Creator</name>
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                <text>Danciger, Jack </text>
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                <text>Envelope addressed to Mr. Alonso S. Perales from Jack Danciger in Fort Worth, Texas, postmarked 26 May 1958. Typed across the front of the envelope is the work "PERSONAL." On the back of the envelope is the number 1,000,000.00. This envelope cannot be definitively matched to any of the letters in the Alonso S. Perales Collection.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Alonso S. Perales Collection: Correspondence--Envelopes</text>
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                <text>Alonso S. Perales Papers: General Correspondence. University of Houston Libraries, Special Collections</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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              <description>The topic of the resource</description>
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                  <text>Antifascist Periodicals -- United States; Periódicos -- Estados Unidos</text>
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                  <text>Fascism -- Spain</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=09q9B5oy870&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=7&amp;amp;t=45s"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                  <text>&lt;a href="https://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain -- The Exhibits&lt;/a&gt;</text>
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              <name>Publisher</name>
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                  <text>Frente Popular (New York, 1936-1939); &#13;
España Libre (New York, 1939-1977);&#13;
Ibérica (New York, 1953-1974)</text>
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              <description>A related resource</description>
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              <name>Format</name>
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                  <text>Collection and Exhibits curated by &#13;
Montse Feu, professor,&#13;
World Languages and Cultures, Sam Houston State University.</text>
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                  <text>Copyright &#13;
Arte Público Press as a post-custodial repository.&#13;
Montse Feu as curator of the collection and editor of exhibits.&#13;
Authors and Artists keep the copyright of their work.&#13;
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                <text>La Asamblea General de Delegados de S.H.C.</text>
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                <text>Anti-fascist movements-- United States; Movimientos antifascists -- Estados Unidos; Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States;</text>
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                <text>Fotografía de una asamblea general de delegados de SHC en julio de 1938. </text>
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                <text>Statement given by Bobby Davila in September 1946. Two boys are served carbonated water instead of malts at Metzger's. Insulted by the boy who didn't want to serve them, the boys come back at the end of his shift to fight. The fights soon escalate when one of the Anglo American boys brings a gun. Before the fighting begins, cars passing by disrupt the fight and the Mexican American boys run away. As they run away, Jesse Garcia is shot in the back of the head.</text>
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                <text>SEPTEMBER 1946&#13;
&#13;
 BOBBY DAVILA.– On September 2nd another boy, Lorenzo Tellez and I went to Metzer's to drink some malt. An American boy served us carbonated water. We asked him why he had served carbonated water and he replied that we did not have to go in there in the first place. He brought us the malts and we ate them, paid our checks and left. We were mad because he served us carbonated water and because of the way he had talked to us. I told Lorenzo Tellez that I wanted to see that boy again that night when he came out. At 7:45P.M. we went to a garage on Poplar and Laredo Streets. From the garage we went to Metzger's on N. Flores Street to see about the boy that had waited on us there that afternoon about 5:45 P.M. We left the garage at about 9:45 P.M. We got there before they closed Metzger's so we waited until they closed and for the boy to come out. The boy was talking to some big boys about the trouble we had with him and the big boys came over to us and asked what we wanted. We said we did not want anything from them. One of the big boys said I hear you want to fight the Soda Fountain boys. I said yes that's right. This big boy had a pine (steel pipe) about two and one half feet long. This big boy said: "well, start fighting". We fought. We saw some cars coming and we thought it was the police and we also saw one of the American boys' father come on foot so we all ran. We hid in a big truck in this garage on Poplar and Laredo Streets. About 5 minutes later about 15 or 16 of these Anglo-American boys passed by the garage in a car. They did not see us so they went on by and a few minutes later we all went home. When we ran from Metzgers [sic] these boys had said they would be read for us the next night.&#13;
&#13;
The second time, about 9:30 P.M., about 13 Mexican boys met about as many Anglo-American boys at Metzgers [sic]. Every one had a stick, a rock or an iron or something to fight with. One of the Anglo-American boys had a gun. I went over to the boy with the gun and told him to put away the gun and I would fight him. He was holding the gun by his side pointed at the ground and Davila tried to grab it and he told him to keep back and he fired the gun on the ground by Davila's right foot. At this time two cars drove up and the boys that were with Davila started to run. When Davila was running we heard another shot, but we didn't know that anyone was hit. Very shortly thereafter we learned that Jesse Garcia had been shot in the back of the head. Davila identified Kelly Adams as the boy that had the gun and had shot in the ground by his foot.&#13;
&#13;
(This case was tried before the Honorable Charles W. Anderson, County Judge of Bexar County, Texas, who declined to render a verdict, stating that he was not satisfied with the evidence presented to him, that he wanted his Juvenile Officers to investigate the case further, and that he preferred to have the case tried before a jury.&#13;
&#13;
Accordingly, the case was tried in the Juvenile Court before an Anglo-American jury, who acquitted the defendant Kelly Adams.)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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                  <text>Lyons, Alicia</text>
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                  <text>Mexican American periodicals</text>
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                  <text>Alicia Salazar Lyons is a community historian who recognized the historical, journalistic, and literary significance of a series of Spanish-language newspapers published and edited by Mexicans and Mexican Americans in San Antonio and McAllen, Texas, during the early decades of the 20th century. The collection brings together original publications, magazines, letters, photographs, and print articles that belonged to her father, Flavio Salazar, who played a key role in the editing of newspapers such as El Eco, El Mañana, and La Prensa. He was also the editor of the magazine Orientación and the final owner of the Orientación printing press, which he operated until its closure in 1976. </text>
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                <text>Valor</text>
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                <text> El Pesebre </text>
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                <text>1940-11</text>
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                <text>Recorte de periódico con dos poemas, el primero titulado "Valor" de Elvira Yáñez de Escutia, dedicado a su hija Elvira Estela, y el segundo titulado "El Pesebre" de José Díaz.</text>
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                <text> Newsclipping with two poems, the first one titled "Valor" by Elvira Yáñez de Escutia dedicated to her daughter Elvira Estela and the second one titled "El Pesebre" by José Díaz. </text>
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                <text>De Escutia Yáñez, Elvira </text>
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                <text> Díaz, José </text>
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                <text> Mexican American poetry (Spanish)--20th century </text>
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                <text>De Escutia Yáñez, Elvira. "Valor"</text>
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                <text> Díaz, José. "Pesebre". Nov. 1940. Alicia Lyons Collection, Recovering the US Hispanic Literary Heritage</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Español</text>
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                <text> Spanish</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Laredo, Texas</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="73167">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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        <name>Poesía</name>
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