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                  <text>Antifascist Periodicals -- United States; Periódicos -- Estados Unidos</text>
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                  <text>&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=09q9B5oy870&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=7&amp;amp;t=45s"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                  <text>&lt;a href="https://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain -- The Exhibits&lt;/a&gt;</text>
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                  <text>Frente Popular (New York, 1936-1939); &#13;
España Libre (New York, 1939-1977);&#13;
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                  <text>United States, Spain</text>
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                  <text>Copyright &#13;
Arte Público Press as a post-custodial repository.&#13;
Montse Feu as curator of the collection and editor of exhibits.&#13;
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                <text>868 Ejecutados</text>
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                <text>Editorial Cartoons -- United States -- 20th century; Caricatura editorial -- Estados Unidos -- siglo XX; Spanish Civil War (1936-1939); Guerra Civil española (1936-1939); Political prisoners; Prisioneros políticos; </text>
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                <text>The illustration shows the executions of the pro-Republic soldiers in Spain. It illustrates an article about the news of 868 executions in Spain when Madrid fell to the Fascists.</text>
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                <text>Frente Popular (New York, 1936-1939)</text>
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                <text>&lt;a href="http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain: The Exhibits&lt;/a&gt;</text>
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                <text>Spain; España</text>
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                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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                <text>El dibujo ilustra las ejecuciones de soldados republicanos en España. Ilustra un artículo sobre las noticias de 868 ejecuciones en España cuando Madrid pasó a manos de los fascistas.</text>
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                  <text>&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=09q9B5oy870&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=7&amp;amp;t=45s"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                  <text>&lt;a href="https://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain -- The Exhibits&lt;/a&gt;</text>
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España Libre (New York, 1939-1977);&#13;
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                  <text>United States, Spain</text>
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Arte Público Press as a post-custodial repository.&#13;
Montse Feu as curator of the collection and editor of exhibits.&#13;
Authors and Artists keep the copyright of their work.&#13;
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                <text>La Tribu Monárquica</text>
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                <text>The cartoon shows the supporters of monarchy - the conservative intellectuals, the Church, the Civil Guards, and the rural oligarchy.&#13;
&#13;
The caption says, "The Tragic Foursome who Want the Restoration of the Monarchy in Spain." It is a reprint from the cartoon entitled "Former Caciques" published in Gamoneda's book Guerra al Fascismo (Mexico 1939)</text>
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                <text>La ilustración muestra los partidarios de la monarquía en España - los intelectuales conservadores, la Iglesia, la Guardia Civil, y la oligarquía rural. &#13;
&#13;
La leyenda dice, "El trágico cuarteto que quiere restaurar en España la monarquía." Se trata de una reimpresión de la caricatura titulada "Los caciques de antaño" publicada en el libro de Gamoneda Guerra al Fascismo (México 1939).</text>
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                  <text>&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=09q9B5oy870&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=7&amp;amp;t=45s"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO),&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex), and the&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston.&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, and 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                  <text>&lt;a href="https://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain -- The Exhibits&lt;/a&gt;</text>
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                  <text>Frente Popular (New York, 1936-1939); &#13;
España Libre (New York, 1939-1977);&#13;
Ibérica (New York, 1953-1974)</text>
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                  <text>United States, Spain</text>
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                  <text>Collection and Exhibits curated by &#13;
Montse Feu, professor,&#13;
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                  <text>1936-1977</text>
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                  <text>Copyright &#13;
Arte Público Press as a post-custodial repository.&#13;
Montse Feu as curator of the collection and editor of exhibits.&#13;
Authors and Artists keep the copyright of their work.&#13;
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                <text>Falangista</text>
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                <text>Editorial Cartoons -- United States -- 20th century; Caricatura editorial -- Estados Unidos -- siglo XX; Spanish Civil War (1936-1939); Guerra Civil española (1936-1939); Falange;</text>
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                <text>A Falangist is doing the Roman salute and wears a shirt with a big yoke-and-arrow emblem of the Falange on the left side. His stomach is big signifying his upper class, his feet are moving like a child, which implies his low cognitive capabilities.  </text>
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                <text>Julián Gamoneda.</text>
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                <text>Spain; España</text>
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            <name>Identifier</name>
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            <name>Rights</name>
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              <elementText elementTextId="71853">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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                <text>Un falangista hace el saludo romano y lleva una camisa con un gran emblema con el yugo y el haz de flechas en la parte izquierda. Tiene la gran barriga de la burguesia y la postura infantil de la falta de desarrollo cognitivo.</text>
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                <text>Film poster, The Chicago Maternity Center Story (Jerry Blumenthal, dir.; 1976). Source: Kartemquin Films</text>
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                <text>Film poster with 3 images: top a protest with sign "Support Home Delivery"; center, 2 Black women providing support for another Black woman who is lying down; bottom, the woman with her newborn baby. Information on film festival awards and quote from Chicago Tribune review,</text>
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                  <text>Perales, Alonso S.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Content compilation of The Latino/Hispanic American Experience Leaders, Writers and Thinkers copyright 2012 by Arte Público Historical Collections. All rights reserved.</text>
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              <description>A related resource</description>
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                  <text>&lt;a href="https://usldhrecovery.uh.edu/collections/show/1"&gt;Alonso S. Perales Collection&lt;/a&gt;</text>
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                  <text>Arte Público Hispanic Historical Collection: Series 2</text>
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                  <text>Texas</text>
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                  <text>Alonso S. Perales, one of the greatest Latino civil rights leaders ever, was one of the first Latino public intellectuals to master the use of the media in pioneering efforts to track and report on discrimination. Over the course of forty years of activism, during the 1920s to 1960, Perales wrote a weekly column in San Antonio’s La Prensa newspaper, the periodical with the greatest and most extensive circulation; had a radio program; published books; and maintained an unheard of level of correspondence, writing daily as many as ten letters to the authorities, civil rights activists and just everyday folk. One campaign he maintained over many years was his use of the periodicals and radio program to invite victims and witnesses of discrimination to document the cases in letter form and send them to him at his San Antonio law office. He would abstract these testimonies in his newspaper columns and radio programs and use them as evidence to demand corrective action and policy changes from government at every level. In the Alonso S. Perales archive hundreds of these letters have been preserved; many of them were written by hand by working-class people who were most likely to suffer the indignities and denial of services because they were Mexicans or Latinos. Because La Prensa and Perales’ network was so broad, the letters came not only from throughout Texas and the Southwest but from as far north as North Dakota and east as the Carolinas. The record is diverse in documenting everything from barbers refusing to cut hair to schools that would not allow Mexican families to register their children. The Perales collection of correspondence is one of the very few documentary sources that precisely date, locate and describe the instances of segregation, violence and racism experienced by Latinos over a long period of time: names are named, addresses noted and alleged crimes publicized; in most cases, however, these acts were committed with impunity, but the informal history and conscience of la raza was recording them. And now, the researchers of posterity can study and reference them in writing a truer history of the United States, and communities can become aware of these acts in developing laws and policy.</text>
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                  <text>Alonso S. Perales, uno de los líderes latinos más importantes de derechos civiles, fue uno de los primeros intelectuales públicos en dominar el uso de los medios de comunicación y  pionero en dedicar esfuerzos a rastrear y denunciar instancias de discriminación. A lo largo de cuarenta años de activismo, durante las décadas de 1920 hasta 1960, Perales escribió columnas semanales en el periódico La Prensa de San Antonio, el diario con la mayor y más extensa circulación de ese período; además tuvo un programa de radio; publicó libros; y mantuvo una extensa correspondencia, escribiendo hasta diez cartas diarias dirigidas a autoridades, activistas de derechos civiles y gente en general. Perales impulsó una campaña, que mantuvo durante muchos años, donde a través de publicaciones en periódicos y su programa de radio invitaba a las víctimas y testigos de actos de discriminación a documentar estos casos en forma de cartas y a enviárselas a su despacho de abogados de San Antonio, Texas. Perales resumía estos testimonios en sus columnas periodísticas y programas de radio y los utilizaba como prueba para exigir medidas correctivas y cambios de política al gobierno a todo nivel. En el archivo de Alonso S. Perales se conservan cientos de estas cartas; muchas de ellas escritas a mano provenientes en su mayoría de la clase trabajadora que tenía más probabilidades de sufrir humillaciones y negación de servicios por ser mexicanos o latinos.&#13;
Como la red de La Prensa y de Perales eran tan amplias, las cartas vinieron no solo desde Texas y del suroeste sino también desde lugares tan al norte como Dakota del Norte y del este como Carolina del Sur y Carolina del Norte. El material es variado y documenta desde barberos que se negaban a cortar el pelo hasta escuelas que no permitían a las familias mexicanas matricular a sus hijos. La colección de correspondencia de Perales es una de las escasas fuentes documentales que datan, localizan y describen con precisión los casos de segregación, violencia y racismo sufridos por los latinos durante un largo periodo de tiempo: se citan nombres, se anotan direcciones y se publicitan presuntos delitos; en la mayoría de los casos, sin embargo, estos actos se cometían con impunidad, pero la historia informal y la conciencia de la raza los registraban. Y ahora, los investigadores de la posteridad pueden estudiarlos y hacer referencia a ellos al escribir una historia más verdadera de Estados Unidos, y las comunidades pueden tomar conciencia de estos actos al momento de elaborar leyes y políticas.</text>
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                <text>To [Unknown], Editor, From Mrs. Charles Keller</text>
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            <name>Date</name>
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                <text>1905-04-30</text>
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            <description>The topic of the resource</description>
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                <text>Letters</text>
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                <text> Perales, Alonso S., 1898-1960</text>
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                <text> Discrimination against Mexican Americans</text>
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                <text> Race discrimination--public establishments</text>
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                <text> Discrimination in public accommodations</text>
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                <text>Letter from Mrs. Charles Keller to an editor, expressing her dislike towards Mexican-Americans and integration in neighbourhoods, seeking for restrictions or their removal.</text>
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                <text>Alonso S. Perales Collection: General Correspondence, c. 1920-1960.</text>
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                <text>Arte Público Hispanic Historical Collection: Series 2</text>
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                <text>"LETTERS TO THE EDITOR.", Alonso S. Perales Collection: General Correspondence, c. 1920- &#13;
1960. March 21, 1927. 21—22. &#13;
http://ezproxy.lib.uh.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&amp;db=h6b&amp; &#13;
AN=76142888&amp;site=ehost-live&amp;ppid=divp21&amp;lpid=divl20</text>
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                <text>English</text>
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                <text>Edinburg (Tex.)</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="72727">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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        <name>Cartas</name>
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        <name>Perales, Alonso S., 1898-1960</name>
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                  <text>Envelopes--Alonso S. Perales</text>
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              <description>The topic of the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16515">
                  <text>This collection contains a sampling of empty envelopes included in the Alonso S. Perales Collection. These envelopes attest to Perales' communication network, which spans across the United States and abroad.</text>
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                  <text>Alonso S. Perales Collection: Correspondence--Envelopes</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16517">
                  <text>Copyright Arte Público Press</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>JPEG</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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              <name>Coverage</name>
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                  <text>SAN Antonio (Tex.)</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1924-1960</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22456">
                  <text>Perales, Alonso S.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Envelope addressed to Hon. [Honorable] Alonso S. Perales, Attorney, postmarked 6 November 1940, addressed verso</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="11904">
                <text>Kilday, Owen W.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Envelope addressed to Hon. [Honorable] Alonso S. Perales, Attorney, from Owen W. Kilday, Bexar County Sheriff-Elect, postmarked 6 November 1940. Envelope is addressed on verso. This envelope cannot be definitively matched to any of the letters in the Alonso S. Perales Collection.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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              <elementText elementTextId="11911">
                <text>Alonso S. Perales Collection: Correspondence--Envelopes</text>
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                <text>Alonso S. Perales Collection</text>
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            <name>Language</name>
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                <text>Alonso S. Perales Papers: General Correspondence. University of Houston Libraries, Special Collections</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="70880">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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              <description>A name given to the resource</description>
              <elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Baptist Church</text>
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                  <text>Diarios Hispanoestadounidenses</text>
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                <text>[Escuche! La Hora bautista, el programa favorito del pueblo]</text>
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                <text>Volante para el programa de radio en español, La hora bautista con el Reverendo James L. Novarro, que se transmitió a diario a las 4:45pm en la estación KLVL de Houston. El volante describe a Novarro como predicador, amigo, consejero y filántropo. Incluye una fotografía en blanco y negro de Novarro con la Biblia y un micrófono.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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                  <text>Hispanic American newspapers</text>
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                  <text>Mexican Americans--civil rights</text>
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                  <text>Disaster relief</text>
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                  <text>Radio--Programas</text>
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                  <text>Diarios Hispanoestadounidenses</text>
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                  <text>Iglesia--Bautista</text>
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                  <text>Mexico-americanos--Derechos civiles</text>
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              <description>A related resource from which the described resource is derived</description>
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              <description>Information about rights held in and over the resource</description>
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                  <text>James L. Novarro</text>
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            <description>A name given to the resource</description>
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                <text>Facts and Figures about the Latin American Baptist Radio Program</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>KLVN Radio Station</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This flyer gives important information about &lt;i&gt;La Hora Bautista&lt;/i&gt; [The Baptist Hour] radio program. The program began its daily broadcast on December 1st,1950. At the time the flyer was created, the program was in range of 3,000,000 Spanish speakers with 3,000 daily listeners.</text>
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                <text>Este folleto brinda información importante sobre el programa de radio &lt;i&gt;La Hora Bautista&lt;/i&gt;. El programa inició su transmisión diaria el 1 de diciembre de 1950. En el momento en que se creó el folleto, el programa se encontraba al alcance de una población de 3,000,000 de hispanohablantes con 3,000 radioescuchas diariamente.</text>
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                <text> Iglesia--Bautista</text>
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                <text> Folletos</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>James L. Novarro Collection, Recovering the US Hispanic Literary Heritage</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>Pulpillino "Great Commission" Through The Latin American Baptist Radio Program</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>Alonso S. Perales (1898-1960) was a lawyer, statesman, diplomat, author, writer, speaker. His collection is held at the University of Houston's Special Collections. A sampling of his photographs, letters, and documents are included here.</text>
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                  <text>Perales, Alonso S.  </text>
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          <name>Original Format</name>
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          <element elementId="50">
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                <text>To Dr. Will W. Alexander, Chief, Minority Groups Service Branch, From Donald G. Kobler, Texas Regional Director, October 14, 1942.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="1441">
                <text>Kobler, Donald G.</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1442">
                <text>1942-10-14</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
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              <elementText elementTextId="1443">
                <text>Alonso S. Perales Papers: General Correspondence, c. 1920-1960. J-L, p130-130. 1p. University of Houston Libraries Special Collections</text>
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              <elementText elementTextId="21785">
                <text>EBSCO Arte Público Hispanic Historical Collection: Series 2</text>
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          </element>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <description>The topic of the resource</description>
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                <text>LETTERS</text>
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                <text>RACE discrimination</text>
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              <elementText elementTextId="1449">
                <text>KOBLER, Donald G.</text>
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              <elementText elementTextId="3564">
                <text>TELEGRATH</text>
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                <text>AGRICULTURAL Laborers</text>
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              <elementText elementTextId="3568">
                <text>UNITED States--Government policy.</text>
              </elementText>
              <elementText elementTextId="3569">
                <text>SHOP signs</text>
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                <text>WICKARD Claude R. (Claude Raymond), 1893-1967</text>
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                <text>WALLACE, Henry A. (Henry Agard), 1888-1965</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>pera0066</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1779">
                <text>Letter to Dr. Will W. Alexander, Chief Minority Groups Service Branch from Donald G. Kobler, Texas Regional Director.  The letter describes discrimination taking plays at Roy’s Café, on North First Street in Lamesa Texas.  Sign on door states “No Mexican’s”.  Donald Kobler would like to see federal action to “eliminate…Nazi-like discrimination”.</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>LAMESA (Tex.)</text>
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                <text>WASHINGTON (D.C.)</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="70701">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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        <name>Scripto</name>
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            <name>Transcription</name>
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                <text>Donald G. Kohler [From]&#13;
8045 Harrisburg&#13;
Houston, Texas&#13;
&#13;
October 14, 1942&#13;
&#13;
Dr. Will W. Alexander, Chief [To]&#13;
Minority Groups Service Branch&#13;
Social Security Building&#13;
Washington, D.C.&#13;
&#13;
Dear Mr. Alexander;&#13;
&#13;
Enclosed please find a copy of the telegram sent to you today in regard to the discrimination practiced against the Spanish speaking people at Lamesa, Texas.&#13;
&#13;
This information was forwarded to me by a Mexican field worker, who wrote as follows:&#13;
&#13;
“… where ever I have been I find a lot of places where the Mexican people is discriminated,…. Here is the latest example Roy’s Café located at North First Street Lamesa Tex bear a sign on the door that says no Mexicans ….. You know this is dangerous at the present time, because there are a lot of Spanish speaking people that thinks that don’t worth a while to fight for a Country where they are not considered as civilized people.”&#13;
&#13;
Surely, it is not necessary to stress to your office the disastrous effect of these abuses.  What is needed is vigourous federal action to eliminate, once and for all, these undemocratic and Nazi-like discriminations.&#13;
&#13;
Copies of the telegram have also been mailed to Hon. Henry A. Wallace and the Hon. Claude A. Wickard.&#13;
&#13;
Very truly yours,&#13;
Donald G. Kobler Texas Regional Director&#13;
</text>
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        <name>Alexander, Will W.</name>
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        <name>Cartas</name>
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        <name>Discriminación racial</name>
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      <tag tagId="170">
        <name>Estados Unidos - Póliza gubernamental</name>
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      <tag tagId="37">
        <name>Kobler, Donald G.</name>
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        <name>Letreros</name>
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        <name>Telegramas</name>
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      <tag tagId="242">
        <name>Trabajadores agricolas</name>
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      <tag tagId="275">
        <name>Wallace, Henry A.</name>
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      <tag tagId="276">
        <name>Wickard, Claude R.</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Envelopes--Alonso S. Perales</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>ENVELOPES (Stationery)</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="16515">
                  <text>This collection contains a sampling of empty envelopes included in the Alonso S. Perales Collection. These envelopes attest to Perales' communication network, which spans across the United States and abroad.</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Alonso S. Perales Collection: Correspondence--Envelopes</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16517">
                  <text>Copyright Arte Público Press</text>
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              </elementTextContainer>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16518">
                  <text>JPEG</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16519">
                  <text>English</text>
                </elementText>
                <elementText elementTextId="16520">
                  <text>Spanish</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16521">
                  <text>Text</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="16522">
                  <text>UNITED States</text>
                </elementText>
                <elementText elementTextId="16523">
                  <text>NICARAGUA</text>
                </elementText>
                <elementText elementTextId="16524">
                  <text>MEXICO</text>
                </elementText>
                <elementText elementTextId="16525">
                  <text>PERU</text>
                </elementText>
                <elementText elementTextId="16526">
                  <text>SAN Antonio (Tex.)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="16527">
                  <text>1924-1960</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22456">
                  <text>Perales, Alonso S.</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11840">
                <text>Envelope addressed to Mr. Alonzo [Alonso] S. Perales, postmarked 16 January 1940</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11841">
                <text>Koerth, Chas. J.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11842">
                <text>Envelope addressed to Mr. Alonzo [Alonso] S. Perales from Dr. Chas. J. Koerth, the Medical Superintendent of the Woodmen of the World War Memorial Hospital in San Antonio, Texas, postmarked 16 January 1940. This envelope cannot be definitively matched to any of the letters in the Alonso S. Perales Collection.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11843">
                <text>ENVELOPES (Stationery)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11845">
                <text>1940-01-16</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11846">
                <text>Text</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11847">
                <text>JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="11848">
                <text>pera0163</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="11849">
                <text>Alonso S. Perales Collection: Correspondence--Envelopes</text>
              </elementText>
              <elementText elementTextId="21990">
                <text>Alonso S. Perales Collection</text>
              </elementText>
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          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11850">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="11851">
                <text>SAN Antonio (Tex.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="21859">
                <text>EBSCO Arte Público Hispanic Historical Collection: Series 2</text>
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              <elementText elementTextId="22121">
                <text>Alonso S. Perales Papers: General Correspondence. University of Houston Libraries, Special Collections</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="70875">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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      <tag tagId="304">
        <name>Sobres (de carta)</name>
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