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                <text>La epidemia en otro barco Ibero</text>
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                <text>Artículo sobre la llegada del buque "Infanta Isabel" en La Habana en la cual han llegado muchos pasajeros enfermos de la influenza. Algunos de los pasajeron mueriron durante la travesía. El "Alfonso XII" continúa en cuarentena en el Mariel, Cuba. 400 pasajeros se enfermaron de la influenza durante el viaje. Los pasajeros que fallecieron fueron enterrados en el Panteón Lazareto.</text>
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                <text>&lt;i&gt;La Prensa&lt;/i&gt;, 15 Oct. 1918, p. 1. Readex: America's Historical Newspapers, infoweb.newsbank.com/apps/readex/doc?p=EANX&amp;amp;ampdocref=image/v2%3A11F30FF2F63C9976%40EANX-11FC59A372CD89F8%402421882-11F616C0A41CFAD8%400</text>
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                <text>La epidemia se extiende en México</text>
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                <text>&lt;i&gt;La Prensa&lt;/i&gt;, 13 Oct. 1918, p. 1. Readex: America's Historical Newspapers, infoweb.newsbank.com/apps/readex/doc?p=EANX&amp;amp;ampdocref=image/v2%3A11F30FF2F63C9976%40EANX-11FC597A932A99D8%402421880-11F616C08511AB20%400</text>
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&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO)&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex)&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by: 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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Arte Público Press as post-custodial repository&#13;
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                <text>In a Spanish prison, effeminate Civil Guards torture political prisoners, cut their hair, and kill them. An imprisoned woman with child implores a Civil Guard to stop. The caption reads "The Franco's Spain that tourists do not see. What Intellectuals are exposing."</text>
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                <text>En una prisión española unos guardias civiles afeminados torturan a los presos políticos, les rapan el pelo y los matan. Una presa embarazada implora a un guardia civil.</text>
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                <text>La estafeta de los mexicanos es la Kansas &amp; Mexico Commercial Co</text>
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                <text>Anuncio que promociona Kansas &amp;amp; Mexico Commercial Co., un servicio postal a México. Utiliza la epidemia de influenza para promover el servicio, indicando que las familias podrían estar más necesitadas.</text>
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                <text>Advertisement for the Kansas &amp;amp; Mexico Commercial Co. postal service to Mexico. The advertisement uses the urgency of the influenza to promote the service, indicating that families may be in greater need.</text>
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                <text>&lt;i&gt;La Prensa&lt;/i&gt;, 7 Nov. 1918, p. 8. Readex: America's Historical Newspapers, infoweb.newsbank.com/apps/readex/doc?p=EANX&amp;amp;ampdocref=image/v2%3A11F30FF2F63C9976%40EANX-11FC92120D869DB0%402421905-11F6170E97B33708%407</text>
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&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO)&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex)&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by: 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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                  <text>&lt;a href="https://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain -- The Exhibits&lt;/a&gt;</text>
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España Libre (New York, 1939-1977);&#13;
Ibérica (New York, 1953-1974)</text>
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Arte Público Press as post-custodial repository&#13;
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                <text>La estatua ecuestre de Franco.  Franco's equestrian statue.</text>
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                <text>Franco is holding a half moon, which symbolizes his Moorish Guard. Instead of a horse, he is sitting on a pile of donkey manure. The drawing was first published in Bombas de mano (1938) to illustrate a satirical poem mocking Franco.</text>
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                <text>España; Spain</text>
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                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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                <text>Franco sostiene media luna en referencia a su Guardia Mora. En lugar de un caballo, está sentado en estiércol de asno. La caricatura se publicó primero en Bombas de mano (1938) e ilustraba un poema satírico en contra de Franco.</text>
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                  <text>Antifascismo y feminismo en la "Página de la mujer" de &lt;em&gt;La Voz&lt;/em&gt; (Nueva York, 1938)/ Antifascism and feminism in the "Women´s page" of &lt;em&gt;La Voz&lt;/em&gt; (New York, 1938)</text>
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Prensa en español</text>
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Movimientos antifascistas--Estados Unidos</text>
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España--Historia--Guerra Civil, 1936-1939</text>
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Derechos de las mujeres</text>
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Mujeres y fascismo</text>
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                  <text>1. Selección de documentos que ilustran la historia del periódico &lt;em&gt;La Voz &lt;/em&gt;(Nueva York: 1937-1939).&lt;br /&gt;2. Selección de artículos de contenido político y social publicados en 1938 en la "Página de la mujer" de &lt;em&gt;La Voz &lt;/em&gt;sobre asuntos políticos: antifascismo, valores democráticos, feminismo, derechos de las mujeres, movimientos por la paz y solidaridad internacional&lt;br /&gt;Este proyecto se ha llevado a cabo gracias a una beca del US Latino Digital Humanities program (USLDH) y The Andrew W. Mellon Foundation. Para más información sobre esta iniciativa de Recuperación del Legado Literario Hispánico en USA/Arte Público Press: &lt;a href="https://artepublicopress.com/2020-usldh-mellon-funded-grants-in-aid-projects/"&gt;https://artepublicopress.com/2020-usldh-mellon-funded-grants-in-aid-projects/&lt;/a&gt;&lt;br /&gt;&#13;
&lt;h5&gt;&lt;span&gt;&lt;span style="text-decoration: underline;"&gt;Cómo citar este proyecto&lt;/span&gt;: Ana María Díaz-Marcos&lt;/span&gt;&lt;span&gt;. "Antifascismo y feminismo en la "Página de la mujer" de &lt;em&gt;La Voz&lt;/em&gt; (Nueva York, 1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/26. Acceso [FECHA].&lt;/span&gt;&lt;/h5&gt;</text>
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                  <text>1. Selected documents illustrating the history of the Spanish newspaper &lt;em&gt;La Voz &lt;/em&gt;(New York: 1937-1939).&lt;br /&gt;2. A collection of selected articles from the "Women´s page" published in 1938 in &lt;em&gt;La Voz&lt;/em&gt; addressing political and social issues: antifascism, democracy, feminism, women´s rights, peace movements and international solidarity.&lt;br /&gt;This project is supported by a grant-in-aid from the US Latino Digital Humanities program (USLDH) and The Andrew W. Mellon Foundation. For more information about USLDH-Mellon grants-in-aid initiative at Recovering the US Hispanic Literary Heritage/Arte Público Press, please visit: &lt;a href="https://artepublicopress.com/2020-usldh-mellon-funded-grants-in-aid-projects/"&gt;https://artepublicopress.com/2020-usldh-mellon-funded-grants-in-aid-projects/&lt;/a&gt;&lt;br /&gt;&#13;
&lt;h5&gt;&lt;span&gt;&lt;span style="text-decoration: underline;"&gt;How to cite this project&lt;/span&gt;: Ana María Díaz-Marcos&lt;/span&gt;&lt;span&gt;. "Antifascism and feminism in the "Women´s page" of &lt;em&gt;La Voz&lt;/em&gt; (New York, 1938)" Recovering the US Hispanic Literary Heritage Digital Collections. &lt;/span&gt;&lt;span&gt;http://129.7.224.3/collections/show/26. Accessed [DATE].&lt;/span&gt;&lt;/h5&gt;</text>
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                  <text>&lt;h4 style="text-align: center;"&gt;&lt;strong&gt;Editado y compilado por/Curated and compiled by&lt;/strong&gt;&lt;em&gt;&lt;br /&gt;&lt;/em&gt;Prof. Ana María Díaz-Marcos, University of Connecticut.&lt;em&gt;&lt;br /&gt;&lt;/em&gt;&lt;/h4&gt;&#13;
&lt;div style="text-align: center;"&gt;&lt;strong&gt;Agradecimientos/Acknowledgements&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&#13;
Vitalina Alfonso (Cuba), José María Arévalo López de Ontiveros (Editorial Almuzara), Gloria y Raquel Barbazán Starace (Nueva York), Ciro Bianchi Ross (Cuba), Eric Caraballoso Díaz (Cuba), Montse Feu (Sam Houston State University), Richard Foster (Biblioteca Pública de Nueva York), Ana Lau Jaivén (UAM, México), Vida Montseny y Esgleas y Catherine Portoff (Francia), Cristina Pérez Jiménez (Manhattan College), Paul Preston (London School of Economics), Dolores Ruiz-Ibárruri Sergueyeva (Madrid), Enrique Saínz de la Torriente (Cuba), Sonia Thon (Acadia University, Canadá), Mikel Urabaien Otamendi (Diario de Noticias), Elena Vicéns (ACИ, Moscú), Vianca Victor y Tara Craig (Columbia University), Lindsay Wittwer (CUNY)</text>
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                  <text>The Spanish Newspaper Corporation</text>
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                  <text>New York Public Library, General Research Division</text>
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                  <text>La Voz: Diario Democrático Avanzado (Nueva York)</text>
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              <description>An entity responsible for making the resource available</description>
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                  <text>The Spanish Newspaper Corporation</text>
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                  <text>Aparicio, Rosa Amelia</text>
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                  <text>Batlle y Ordóñez, José</text>
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                  <text>Comités Femeninos Unidos</text>
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                  <text>Federn, Etta</text>
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                  <text>González, Ernestina</text>
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                  <text>Hellmann, Lillian</text>
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                  <text>Ibárruri, Dolores</text>
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                  <text>Lagerlöf, Selma</text>
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                  <text>Miaja Menant, José</text>
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                  <text>Montseny, Federica</text>
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                  <text>Torriente, Loló de la</text>
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                  <text>Trejo, Blanca Lydia</text>
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                  <text>Valdés Cadilla, José</text>
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                  <text>Villareal, María</text>
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                  <text>This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.&lt;br /&gt;&lt;strong&gt;Note&lt;/strong&gt;: &lt;em&gt;La voz&lt;/em&gt; should be in public domain. The newspaper was published with a copyright note between 1937-1939 but there is no registration in the Catalogue of Copyright entries on those years. Copyright was not renewed after 28 years and it does not appear in the 1965 Catalogue of Copyright. &lt;br /&gt;We are grateful to Gloria and Raquel Barbazán Starace, daughter and granddaughter of Ceferino Barbazán, president of &lt;em&gt;La voz&lt;/em&gt;, for granting permission to publish this selection of articles.</text>
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                  <text>Esta colección tiene fines educativos y de investigación. **USO JUSTO** permitido dentro del marco de fines como la crítica, el comentario, las noticias, la enseñanza, la educación y la investigación.&lt;br /&gt;&lt;strong&gt;Nota&lt;/strong&gt;: Esta investigación concluye que &lt;em&gt;La voz&lt;/em&gt; está en dominio público. El periódico se publicó con una nota de derechos entre 1937-1939 pero no está registrado en el Registro del Copyright en esos años. Tampoco se renovaron los derechos después de 28 años y el periódico no aparece en el catálogo de Derechos de Autor de 1965. &lt;br /&gt;Nuestro más sincero agradecimiento a Gloria y Raquel Barbazán Starace, hija y nieta del presidente de &lt;em&gt;La voz&lt;/em&gt;, Ceferino Barbazán, por otorgar su permiso para publicar esta selección de artículos.</text>
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                <text>La explotación de las costureras</text>
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                <text>Robles de Mendoza, Margarita</text>
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                <text>Artículo que denuncia la explotación y los bajos salarios de las costureras y trabajadoras en talleres textiles en Estados Unidos, criticando la precariedad laboral del trabajo a domicilio y urgiendo a las obreras de la aguja a organizarse en sindicatos para defender sus derechos.</text>
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                <text>Article denouncing the explotation of seamstresses and workers in textile factories in the US, exposing job insecurity for those working from home, and inviting working-class women in this sector to unionize and defend their labor rights.</text>
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                <text>1938-2-5</text>
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                <text>New York Public Library. General Research Division</text>
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                <text>La Voz: Diario Democrático Avanzado (Nueva York), p. 16</text>
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                <text>The Spanish Newspaper Corporation</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>New York, (N.Y.)</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="71902">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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                  <text>1918 Influenza Epidemic  Collection</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Hispanic American Periodical Newspapers Collection, Recovering the US Hispanic Literary Heritage.</text>
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            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>La Prensa</text>
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                  <text>Heraldo de Mexico</text>
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                  <text>El Imparcial de Texas</text>
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                  <text>Influenza epidemic 1918-1919</text>
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                  <text>Public health</text>
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                  <text>Quarantine</text>
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                  <text>Epidemias--Gripe 1918-1919</text>
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                  <text>Diarios--Hispanoestadounidenses</text>
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                  <text>Higiene pública</text>
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                  <text>1917-1918</text>
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                  <text>United States</text>
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              <description>An account of the resource</description>
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                  <text>Collection of newspaper clippings in Spanish-language newspapers about the 1918 influenza epidemic. The collection covers themes such as public health, home remedies, faux pharmaceuticals, politics, racism and discrimination.  Some of the newspapers in the collection include El Mañana (McAllen, Texas), El Imparcial de Texas (Roma, Texas), and La Prensa (San Antonio, Texas).</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Copyright Arte Público Press</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>La famosa Influenza española más de 4,000 casos en Nuevo Laredo</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Evolucion </text>
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                <text>1918-10-16</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Este artículo presenta información actualizada sobre la epidemia de influenza en México. El gobierno de México comunicó que la epidemia está propagándose rápidamente y el sistema de salud está haciendo todo lo posible para evitar la transmisión de la enfermedad. Aunque el gobierno trata de propagar medidas preventivas, el número de casos continúa en aumento.</text>
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              <elementText elementTextId="41730">
                <text>This article reports news about the influenza epidemic in Mexico. The Mexican government announced the rapid spread of the virus and the Health Council's attempts to limit the disease’s transmission. Although the government advocates preventative measures, the number of cases continues to rise.</text>
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            <description>The topic of the resource</description>
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                <text>Influenza epidemic 1918-1919</text>
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              <elementText elementTextId="41732">
                <text> Hispanic American--Newspapers</text>
              </elementText>
              <elementText elementTextId="41733">
                <text> Public health laws--Mexico</text>
              </elementText>
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                <text> Public health--México</text>
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                <text> Epidemias--Gripe 1918-1919</text>
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                <text> Diarios--Hispanoestadounidenses</text>
              </elementText>
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                <text> Leyes de higiene pública--México</text>
              </elementText>
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                <text> Higiene Pública </text>
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                <text>&lt;i&gt;Evolucion&lt;/i&gt;, 16 Oct. 1918, p. 4. Readex: America's Historical Newspapers, infoweb.newsbank.com/apps/readex/doc?p=EANX&amp;amp;ampdocref=image/v2%3A11D7617698B28783%40EANX-11E37E4E1E479A28%402421883-11E1F4354362E9B0%403</text>
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                <text>Recovering the US Hispanic Literary Heritage</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="72487">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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        <name>epidemia</name>
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        <name>flu epidemic</name>
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        <name>health</name>
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              <description>A name given to the resource</description>
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                  <text>Visual Art--Angela de Hoyos</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>ART</text>
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                  <text>WOMEN</text>
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                  <text>Angela de Hoyos Collection</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>de Hoyos, Angela</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <description>A name given to the resource</description>
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                <text>La Femme Connection Drawing </text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="15969">
                <text>A pencil drawing of the interlocking heads of three women. They have a third eye at the center of the central forehead. Three flowers crown their hair and three flowers line the central neck. The words La Femme Connection are written twice. </text>
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            <description>An entity primarily responsible for making the resource</description>
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            <name>Identifier</name>
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                <text>SAN Antonio (Tex.)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="71218">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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                <text>La Femme Connection </text>
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        <name>dibujo</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Fighting Fascist Spain: The Exhibits</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Antifascist Periodicals -- United States; Periódicos -- Estados Unidos</text>
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                  <text>Fascism -- Spain</text>
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                  <text>Antifascist movements – United States</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=09q9B5oy870&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=7&amp;amp;t=45s"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=z4Is8ZBSWxw&amp;amp;list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW&amp;amp;index=19"&gt;&lt;span style="font-weight: 400;"&gt;Presentation video 2&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Fighting Fascist Spain -- The Exhibits (FFSTE) is a digital project that recovers and preserves U.S. Hispanic antifascist print culture (periodicals, communities, theatre, and graphic art) with the goal of documenting victims, fighters, and survivors of Spanish fascism and their allies. FFSTE expresses historical justice by amplifying antifascists' voices and perspectives.&lt;/p&gt;&#13;
&lt;p&gt;Director and Curator: &lt;a href="https://montsefeu.wixsite.com/montsefeu"&gt;Montse Feu&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;Other repositories&lt;/b&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://www.youtube.com/playlist?list=PLIXOFTxfP8OUwvSGu2F14l9_ol1Pk1YOW"&gt;Fighting Fascist Spain - YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&#13;
&lt;p&gt;Arte Público Hispanic Historical Collection Database (EBSCO)&lt;/p&gt;&#13;
&lt;p&gt;Hispanic American Newspapers Database (Readex)&lt;/p&gt;&#13;
&lt;p&gt;Recovering the U.S. Hispanic Literary Heritage, University of Houston&lt;/p&gt;&#13;
&lt;h6&gt;How to cite the project: Montse Feu. "Fighting Fascist Spain --The Exhibits." Recovering the US Hispanic Literary Heritage Digital Collections. http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex. Accessed [DATE].&amp;nbsp;&lt;/h6&gt;&#13;
&lt;h6&gt;Funded by: 2020 Grants-in-aid of the US Latino Digital Humanities (USLDH) program, 2021 FAST SHSU Award, 2022 Pilot SHSU grant.&lt;/h6&gt;&#13;
&lt;h6&gt;This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.&lt;/h6&gt;</text>
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              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="27129">
                  <text>&lt;a href="https://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex"&gt;Fighting Fascist Spain -- The Exhibits&lt;/a&gt;</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="27130">
                  <text>Frente Popular (New York, 1936-1939); &#13;
España Libre (New York, 1939-1977);&#13;
Ibérica (New York, 1953-1974)</text>
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            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
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                  <text>Fighting Fascist Spain (UI Press 2020) </text>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27132">
                  <text>JPEG, PNG</text>
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              </elementTextContainer>
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              <name>Language</name>
              <description>A language of the resource</description>
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              <description>The nature or genre of the resource</description>
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                  <text>Image, Text</text>
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              </elementTextContainer>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="27135">
                  <text>United States, Spain</text>
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              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27174">
                  <text>Collection and Exhibits curated by &#13;
Montse Feu, associate professor,&#13;
World Languages and Cultures, Sam Houston State University.</text>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1936-1977</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="28715">
                  <text>Copyright &#13;
Arte Público Press as post-custodial repository&#13;
Montse Feu as curator of collection and editor of exhibits&#13;
Authors and Artists keep the copyright of their work&#13;
</text>
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          </elementContainer>
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    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28309">
                <text>La Fiera Totalitaria</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28310">
                <text>Editorial Cartoons -- United States -- 20th century; Caricatura editorial -- Estados Unidos -- siglo XX; (1936-1939); European fascisms; Fascismos europeos; Hitler, Adolf (1889-1945); Mussolini, Benito (1883-1945);</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28311">
                <text>The Capitoline Wolf is standing on "The Berlin-Rome Axis." It carries a medal with the swastika, a skull, and a Roman bundle.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28312">
                <text>Algibay, Francisco G. "Couto" (1901-1975) </text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="28313">
                <text>España Libre (New York, 1939-1977);</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28314">
                <text>1941-05-23</text>
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            </elementTextContainer>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="28316">
                <text>Fighting Fascist Spain: The Exhibit (https://montsefeu.wixsite.com/montsefeu/ffs-the-exhibit)</text>
              </elementText>
              <elementText elementTextId="38034">
                <text>http://usldhrecovery.uh.edu/exhibits/show/fighting-fascist-spain--the-ex</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28317">
                <text>JPEG</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>Spanish</text>
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            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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                <text>Still Image</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FF00086_0001</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Italy; Italia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="71846">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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        <name>Scripto</name>
        <description/>
        <elementContainer>
          <element elementId="53">
            <name>Transcription</name>
            <description>A written representation of a document.</description>
            <elementTextContainer>
              <elementText elementTextId="28322">
                <text>Luperca está de pie sobre "El eje Berlin-Roma". Lleva una medalla con la esvástica, una calavera, y un Fasces romano.</text>
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        <name>Caricatura Editorial</name>
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      <tag tagId="409">
        <name>España Libre (New York, 1939-1977)</name>
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      <tag tagId="477">
        <name>Grapich Art</name>
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      <tag tagId="408">
        <name>Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States</name>
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            <element elementId="50">
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                  <text>Las “Estampas de Harlem” de José Valdés Cadilla en &lt;em&gt;La voz&lt;/em&gt; (1938)/ "Sketches of Harlem" by José Valdés Cadilla in &lt;em&gt;La voz&lt;/em&gt;.</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Prensa en español&#13;
</text>
                </elementText>
                <elementText elementTextId="39040">
                  <text>Spanish periodicals</text>
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                <elementText elementTextId="39041">
                  <text>Humor gráfico, sátira, etc.</text>
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                <elementText elementTextId="39042">
                  <text>Cartoons, satire, etc.</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Colección de 18 viñetas del dibujante José Valdés Cadilla. Esta colección se publicó en el periódico &lt;em&gt;La voz&lt;/em&gt; de Nueva York entre marzo y julio de 1938. Casi todas las imágenes vienen acompañadas de un texto escrito que ayuda a explicar las sutilezas de la escena. Trece de estas imágenes forman parte una colección titulada “Estampas de Harlem” y son escenas costumbristas, irónicas, críticas y/o humorísticas que retratan a los vecinos del barrio. Estas viñetas documentan la vida cotidiana y también los retos y logros de esa vecindad mayoritariamente hispana y latina. Cuatro dibujos conmemoran fechas y eventos especiales: el séptimo aniversario de la República Española, el homenaje a las madres españolas, el segundo aniversario de la Guerra Civil o el primero de Mayo. El retrato de Fernando de los Ríos es una imagen inédita que pertenece a una colección particular. &lt;br /&gt;Los pocos datos que se conocen sobre José Valdés Cadilla provienen del censo de los Estados Unidos. Nació en San Juan (Puerto Rico) en 1908, su madre era puertorriqueña y su padre español. José y sus cuatro hermanxs se quedaron huérfanos muy pronto y se mudaron a vivir a Arecibo con unos tíos. En los años treinta Valdés Cadilla vivía en Nueva York y en 1953 seguía residiendo en la ciudad, pues fue el pintor encargado de dibujar un fresco alegórico para las honras fúnebres de Julia de Burgos. &lt;span&gt;El periódico &lt;em&gt;La voz&lt;/em&gt; lo describe como un "bohemio consuetudinario en perenne regeneración, Valdés Cadilla ha vivido de cerca la tragedia de muchos hispanos en esta Babel inmisericorde y sabe como pocos del duro aguijonazo del dolor neoyorquino.” (&lt;em&gt;La voz&lt;/em&gt; 1938-03-26, p. 12). &lt;/span&gt;Hasta el momento, ha sido imposible localizar ningún otro dato sobre este dibujante de gran talento, creador de esta magnífica breve colección de viñetas que ofrecen una singular panorámica costumbrista de Harlem en los años treinta.&lt;br /&gt;&lt;em&gt;La voz&lt;/em&gt; describe así esta colección de documentos: "Es esta una valiosa colección de "Cuadros costumbristas de Harlem", representativos de escenas, personajes y costumbres típicas del corazón hispano de Nueva York. En ellos se plantea, con sobriedad de rasgos y riqueza de expresión, muchos de los graves problemas que aquejan a la colectividad y cuya solución se hace cada día más imperiosa. También se exhiben, con el sano propósito de combatirlos, algunos de los vicios imperantes en determinados ambientes y que son comunes a todo conglomerado humano" (&lt;em&gt;La voz&lt;/em&gt;, 1938-3-26,p. 12)</text>
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                  <text>&lt;strong&gt;Cómo citar este proyecto: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Acceso [FECHA].&lt;/strong&gt;</text>
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                  <text>A collection of eighteen sketches by José Valdés Cadilla. This collection was published in the newspaper &lt;em&gt;La voz&lt;/em&gt; (New York) from April through July of 1938. Every image is accompanied by a written description that helps explain the nuances within the drawing. Thirteen of the images are part of a collection entitled “Estampas de Harlem” (“Scenes from Harlem”). These ironic, critical, and/or humoristic scenes capture the neighborhood residents and their local customs. These sketches illustrate everyday life, the customs and festivities, but also the difficulties, challenges, and achievements of the primarily Hispanic and Latino community. &lt;br /&gt;There are four drawings that commemorate special dates and events: the seventh anniversary of the Spanish Republic, a tribute to Spanish mothers, the second anniversary of the Civil War, and International Workers Day. The portrait of Fernando de los Ríos has never been published as it belongs to a private collection. &lt;br /&gt;There is little data about Puerto Rican artist José Valdés Cadilla. He was born in San Juan (Puerto Rico) in 1908. His mother was Puertorrican and his father was from Spain and worked at the tobacco factory. José and his four siblings were orphaned in childhood and moved to Arecibo to live with some relatives. In the 1930s Valdés Cadilla was living in New York. In 1953 he still lived in the city as he painted an allegorical fresco for Julia de Burgos´ funeral services. &lt;span&gt;The newspaper &lt;em&gt;La voz&lt;/em&gt; described him as a “bohemian in permanent regeneration, Valdés Cadilla has lived the tragedy of many Hispanics in this merciless Babel, and he knows about the cruel bite of New York´s pain” (La voz 1938-03-26, p. 12). &lt;/span&gt;Until now, it has been impossible to obtain any additional information about this talented artist and creator of this short-lived but brilliant collection of sketches that offers an exceptional panorama of everyday life in Harlem during the 1930s. (Translation by Michelle Tennyson, University of Connecticut)</text>
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                <elementText elementTextId="39059">
                  <text>&lt;strong&gt;How to cite this project: Ana María Díaz-Marcos. "Las ʽEstampas de Harlemʼ de José Valdés Cadilla en &lt;em&gt;La Voz&lt;/em&gt; (1938)" Recovering the US Hispanic Literary Heritage Digital Collections. http://129.7.224.3/collections/show/29. Accesed [DATE].&lt;/strong&gt;</text>
                </elementText>
                <elementText elementTextId="39060">
                  <text>Editado y compilado por/Curated and compiled by&#13;
Prof. Ana María Díaz-Marcos, University of Connecticut.&#13;
Traducciones al inglés de Michelle Tennyson, University of Connecticut&#13;
</text>
                </elementText>
                <elementText elementTextId="40306">
                  <text>&lt;strong&gt;Agradecimientos/Acknowledgements&lt;/strong&gt;&amp;nbsp;a Gloria Barbazán y Raquel Starace (hija y nieta de Ceferino Barbazán, presidente de&lt;em&gt; La voz&lt;/em&gt;) y a Cristina Pérez Jiménez de Manhattan College que compartió conmigo la viñeta "La voz en el subway".</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39046">
                  <text>Valdés Cadilla, Jesús&#13;
</text>
                </elementText>
                <elementText elementTextId="39047">
                  <text>The Spanish Newspaper Corporation</text>
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              </elementTextContainer>
            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="39048">
                  <text>New York Public Library, General Research Division</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="39049">
                  <text>La Voz: Diario Democrático Avanzado (Nueva York)</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39050">
                  <text>1938-04-14</text>
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                <elementText elementTextId="39051">
                  <text>1938-07-19</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39052">
                  <text>Esta colección tiene fines educativos y de investigación. **USO JUSTO** permitido dentro del marco de fines como la crítica, el comentario, las noticias, la enseñanza, la educación y la investigación. Nota: Esta investigación concluye que La voz está en dominio público. El periódico se publicó con una nota de derechos entre 1937-1939 pero no está registrado en el Registro del Copyright en esos años. Tampoco se renovaron los derechos después de 28 años y el periódico no aparece en el catálogo de Derechos de Autor de 1965.</text>
                </elementText>
                <elementText elementTextId="39053">
                  <text>This site is for educational and research purposes only **FAIR USE** Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.&#13;
Note: La voz should be in public domain. The newspaper was published with a copyright note between 1937-1939 but there is no registration in the Catalogue of Copyright entries on those years. Copyright was not renewed after 28 years and it does not appear in the 1965 Catalogue of Copyright. </text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39054">
                  <text>jpeg</text>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39055">
                  <text>Spanish</text>
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              </elementTextContainer>
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            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39056">
                  <text>Still Image</text>
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              </elementTextContainer>
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            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>Valdes0000</text>
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            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
              <elementTextContainer>
                <elementText elementTextId="39058">
                  <text>New York, N.Y., USA</text>
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              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="39061">
                  <text>Valdés Cadilla, José</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="38863">
                <text>Valdes0009</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38864">
                <text>La Fiesta de Cruz/The Festival of the Cross</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="38865">
                <text>Valdés Cadilla, José</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="38866">
                <text>La viñeta representa la festividad de la Fiesta de la Cruz trasplantada desde Andalucía a Harlem. El texto subraya cómo se mantienen sus elementos tradicionales de la fiesta: las cruces, la comida, los rituales, la música y el baile que han dado lugar a un evento “acriollado” por los campesinos y plenamente vigente en un contexto iberoamericano que “mantiene incólumes los usos y costumbres en el centro de la gran babel neoyorquina”.</text>
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              <elementText elementTextId="41288">
                <text>The sketch depicts the celebration of The Feast of the Cross, transplanted from Spain’s southern region of Andalusia to Harlem. The caption underscores that the characteristic elements of the feast were maintained: Christian crosses, traditional foods, rituals, music, and dance. Brought about by members of a rural community, this “criollo” event thrived within an Iberian- American context that “maintains intact its practices and customs at the center of the great melting pot, New York City”. </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="38867">
                <text>Prensa en español-- secciones y columnas, etc.</text>
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              <elementText elementTextId="38868">
                <text> Viñetas, sátira, etc.</text>
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              <elementText elementTextId="38869">
                <text> Spanish newspapers--Sections, columns, etc.</text>
              </elementText>
              <elementText elementTextId="38870">
                <text> Cartoons, satire, etc</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="38871">
                <text>1938-05-21</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Stillimage</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="38873">
                <text>JPEG</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="38874">
                <text>New York Public Library</text>
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              <elementText elementTextId="38875">
                <text> La voz (New York), p.7</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38876">
                <text>Spanish</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="38877">
                <text>La voz: Diario Democrático Avanzado. Nueva York</text>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="38878">
                <text>Rumbo a las playas</text>
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            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="38879">
                <text>Spain</text>
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              <elementText elementTextId="38880">
                <text> Harlem, New York, (N.Y.)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="72358">
                <text>Items in this collection may be under copyright. Please contact apprec@central.uh.edu for more information.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="610">
        <name>Festividad</name>
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  </item>
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