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Cabecera del primer número de La Voz
Cabecera del primer número del periódico La Voz. -
El destino de la peseta.
Walking in a small Spanish town, a man jokes about the peseta's fate. In the background, a fat priest is walking. The dialogue in the caption says, "Where has the peseta gone?" "To the Valley of the Fallen."Tags Anti-fascist Cultures -- United States; Caricatura Editorial; Culturas Antifascistas -- Estados Unidos; España Libre (New York, 1939-1977); Fascism -- Spain -- 1939-1975; Fascismo -- España -- 1939-1975; Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States -
Ilusiones de Franco.
Three political prisoners are in a small cell with a leaking ceiling. Their clothes are ragged and they look tired. In reference to a recent Franco's speech, the caption says "Twenty more years … He wants to kill any hope left."Tags Anti-fascist Cultures -- United States; Caricatura Editorial; Culturas Antifascistas -- Estados Unidos; España Libre (New York, 1939-1977); Fascism -- Spain -- 1939-1975; Fascismo -- España -- 1939-1975; Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States -
Derecho de asilo
Nazis ask Franco for refuge in Spain. He reminds them that they are jeopardizing his democratic stance to the word.Tags Anti-fascist Cultures -- United States; Caricatura Editorial; Culturas Antifascistas -- Estados Unidos; España Libre (New York, 1939-1977); Fascism -- Spain -- 1939-1975; Fascismo -- España -- 1939-1975; Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States -
Amanecer del 19 de julio
Illustration of José Castilla Morales's chronicle about the people's defense of the Republic the day after Francisco Franco's uprising. -
Foto de Francisco Huerta. Photo of Francisco Huerta
Francisco Huerta is acting in Ignacio Zugadi Garmendia's antifascist play "Hombres y Mujeres" at the Palm Garden stage in 1943. He is the fourth from left.Tags Anti-fascist Cultures -- United States; Caricatura Editorial; Culturas Antifascistas -- Estados Unidos; España Libre (New York, 1939-1977); Fascism -- Spain -- 1939-1975; Fascismo -- España -- 1939-1975; Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States -
La despedida. The Farewell.
A woman embraces a militiaman. Her eyes are closed. -
Solidaridad. Solidarity.
A woman is breastfeeding a baby. In the background, her town has been destroyed by Fascists.Tags Anti-fascist Cultures -- United States; Caricatura Editorial; Culturas Antifascistas -- Estados Unidos; España Libre (New York, 1939-1977); Fascism -- Spain -- 1939-1975; Fascismo -- España -- 1939-1975; Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States -
Preocupación del soldado. The soldier's worries.
A big drawing of a militiaman in the background protects two little boys sitting at the front of the drawing. The caption says "The soldier's worries: the homeland and the family ... Let's help him." -
La estatua ecuestre de Franco. Franco's equestrian statue.
Franco is holding a half moon, which symbolizes his Moorish Guard. Instead of a horse, he is sitting on a pile of donkey manure. The drawing was first published in Bombas de mano (1938) to illustrate a satirical poem mocking Franco.Tags Anti-fascist Cultures -- United States; Caricatura Editorial; Culturas Antifascistas -- Estados Unidos; España Libre (New York, 1939-1977); Fascism -- Spain -- 1939-1975; Fascismo -- España -- 1939-1975; Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States