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Killing God. Matando a Dios.
A priest is killing God.
Un sacerdote mata a Dios. -
Kruschev
Franco stands on a stool with the symbols of the Falange, while Khrushchev stands on a stool with Communist symbols. Behind them are portraits of murdered intellectuals that have been crossed out. The cartoon depicts the names: Lorca, Machado, Hernández, and Jiménez behind Franco, and Pasternak, Fadeyev, Mayakovsky, and Yesenin behind Khrushchev.
Franco está de pie en una banqueta con los símbolos de la Falange, mientras que Khrushchev en otro con los símbolos comunistas. Detrás de ellos hay retratos de intelectuales asesinados que han sido tachados. La caricatura muestra los nombres: Lorca, Machado, Hernández y Jiménez detrás de Franco, y Pasternak, Fadeyev, Mayakovsky y Yesenin detrás de Khrushchev.
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La asamblea
The SHC issued a call for action: $50,000 in 40 days to help refugees. The call reprinted in each issue, reminded readers that the SHC had successfully achieved this goal during the war for iron and cement, as well as for Spanish children. To further prove that SHC members could fundraise at the same level again for refugees, a piece reported that during the assembly of SHC executive committee, 240 workers, collected already $10,000. -
La Asamblea General de Delegados de S.H.C.
Fotografía de una asamblea general de delegados de SHC en julio de 1938. -
La Bestia; The Beast;
A beast personifies Fascism. It is carrying broken buildings on its back, signifying the end of civilization. It carries an ax and a net that contains nude women and their children. -
La delegación española al congreso internacional de la juventud
Fotografía y artículo de Martínez Novella acerca la Delegación española al congreso internacional de la juventud. Contraportada.Tags Alejandro Bermúdez; Anti-fascist Cultures -- United States; Armando del Moral; Carmen Cordellat; Ceferino Lugo; Congreso mundial de la Juventud; Culturas Antifascistas -- Estados Unidos; Fascism -- Spain--1939-1975; Fascismo -- España -- 1939-1975; Félix Martí Ibáñez, Azcárate, Alfonso Daniel R. Castelao; G. Concepción de Gracia; Gregorio Garay; Harry Robinson; Hugo Fernández Artucia; jorge Millas; José Amarilla; José Robles; Josefina Rivera Torres; Julián Benedet; La Granadina; La Mora y Moyano de Córdoba; Luis Bermúdez; Marcos González; Margarita Robles; Margarita Robres; O. García Rivera; Pan-Hispanismo; Serafín Aliaga; Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States; Teresa Pàmies; Workers Alliance of America -
La despedida. The Farewell.
A woman embraces a militiaman. Her eyes are closed. -
La España de Franco. Franco's Spain
In a Spanish prison, effeminate Civil Guards torture political prisoners, cut their hair, and kill them. An imprisoned woman with child implores a Civil Guard to stop. The caption reads "The Franco's Spain that tourists do not see. What Intellectuals are exposing." -
La estatua ecuestre de Franco. Franco's equestrian statue.
Franco is holding a half moon, which symbolizes his Moorish Guard. Instead of a horse, he is sitting on a pile of donkey manure. The drawing was first published in Bombas de mano (1938) to illustrate a satirical poem mocking Franco.Tags Anti-fascist Cultures -- United States; Caricatura Editorial; Culturas Antifascistas -- Estados Unidos; España Libre (New York, 1939-1977); Fascism -- Spain -- 1939-1975; Fascismo -- España -- 1939-1975; Sociedades Hispanas Confederadas de los Estados Unidos de Norte América (SHC) -- United States -
La Fiera Totalitaria
The Capitoline Wolf is standing on "The Berlin-Rome Axis." It carries a medal with the swastika, a skull, and a Roman bundle.